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Frank Lloyd Wright used zinc came for his stained glass windows. [10] Beveled glass work is generally done in zinc came, primarily because of its ability to manage the weight of heavy plate glass; whereas beveled glass works made of lead came are much more likely to buckle or sag over time. [13]
The term 'leadlight' could be used to describe any window in which the glass is supported by lead, but traditionally, a distinction is made between stained glass windows and leadlights; the former is associated with the ornate coloured-glass windows of churches and similar buildings, while the latter is associated with the windows of vernacular ...
When the dazzling 16-foot-high leaded stained- glass window arrived in Canton in 1913, it made front-page news—and postponed the new church’s dedication by a week because of a shipping delay.
The assembly was equally innovative, with lead not merely holding the glass in place but defining the image and creating linear effects. Furthermore, his layering of glass creates dazzling depths and color effects. "Awake Thou That Sleepest. Arise from the Dead and Christ Shall Give Thee Light" from Ephesians 5:14 is inscribed on the window. [3]
Willet Studios was founded in Philadelphia, Pennsylvania in 1898 by the muralist and stained glass artist William Willet and his wife, Anne Lee. In its inception, the studio went by the title of the Willet Stained Glass Company and by 1909, had been incorporated as the Willet Stained Glass and Decorating Company.
A large, early example of his stained glass windows, dating from 1910 while he was employed by the Duffner & Kimberly firm is found in Grace and Holy Trinity Cathedral, the cathedral church of the Episcopal Diocese of West Missouri, located in Kansas City, Missouri. Guthrie left Tiffany in 1906 and worked for Duffner & Kimberly until 1914.
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