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While the contributions of the Russian nationalistic group The Five were important in their own right in developing an independent Russian voice and consciousness in classical music, Tchaikovsky's formal conservatory training allowed him to write works with Western-oriented attitudes and techniques, showcasing a wide range and breadth of technique from a poised "Classical" form simulating 18th ...
Pyotr Ilyich Tchaikovsky. Pyotr Ilyich Tchaikovsky wrote many works well-known to the general classical public, including Romeo and Juliet, the 1812 Overture, and the ballets Swan Lake, The Sleeping Beauty and The Nutcracker.
Here Tchaikovsky harnessed the harmonic, melodic and rhythmic quirks of Ukrainian folk music to produce an opening movement massive in scale, intricate in structure and complex in texture—what Brown calls "one of the most solid structures Tchaikovsky ever fashioned" [47] —and a finale that, with the folk song "The Crane" offered in an ever ...
What endeared the Little Russian to the kuchka was not simply that Tchaikovsky had used Ukrainian folk songs as melodic material. It was how, especially in the outer movements, he allowed the unique characteristics of Russian folk song to dictate symphonic form. This was a goal toward which the kuchka strived, both collectively and individually.
Tchaikovsky's complete range of melodic styles was as wide as that of his compositions. Sometimes he used Western-style melodies, sometimes original melodies written in the style of Russian folk song; sometimes he used actual folk songs. [142] According to The New Grove, Tchaikovsky's melodic gift could also become his worst enemy in two ways.
Russian music, especially Russian folk music, stubbornly refused to follow the Western principles Tchaikovsky had learned in St. Petersburg. [10] This may have been one reason his teacher Anton Rubinstein did not consider folk songs to be viable musical material for anything other than local color.
Classical composers drew on the harmonic patterns in the folk music to inform their more formal classical compositions. [ citation needed ] The composition of dumky became popular after the publication of an ethnological study and analysis and a number of illustrated lectures made by the Ukrainian composer Mykola Lysenko in 1873 and 1874 in ...
Pyotr Ilyich Tchaikovsky, who had received Western-oriented musical instruction from the Saint Petersburg Conservatory, had used folk songs in his student overture The Storm. However, in the early 1870s he became interested in using folk songs as valid symphonic material. [7] Tchaikovsky's greatest debt in this regard was to Glinka's Kamarinskaya.