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This is an accepted version of this page This is the latest accepted revision, reviewed on 9 January 2025. Cultural belief of 19th-century American expansionists For other uses, see Manifest Destiny (disambiguation). American Progress (1872) by John Gast is an allegorical representation of the modernization of the new west. Columbia, a personification of the United States, is shown leading ...
The book takes a humorous tone and examines the fulfillment of American imperialist manifest destiny at the end of the 19th century as America annexed Hawaii, Puerto Rico, and Guam, and invaded Cuba, and the Philippines in 1898, in an attempt to become a global power.
Major exponents of the theme have been James Monroe (Monroe Doctrine), Andrew Jackson and James K. Polk (Manifest Destiny), Abraham Lincoln (Gettysburg Address), Theodore Roosevelt (Roosevelt Corollary), Woodrow Wilson (Wilsonianism), Franklin D. Roosevelt, Harry Truman (Truman Doctrine), Ronald Reagan (Reagan Doctrine), Bill Clinton, [1] and ...
In the 19th century, Manifest Destiny was driven by ideological, economic and demographic forces: a growing population, belief in cultural superiority and economic opportunity. These conditions ...
Members of the Church of Jesus Christ of Latter-day Saints referred to themselves as Latter-day Saints or Saints. B. ^ Brooklyn previously carried cargo and a limited number of passengers around the British Isles. The ship was involved in a fatal collision with the Mary Scott, Captain Sadler, on May 9, 1841, during a squall in the English Channel.
"City upon a hill" is a phrase derived from the teaching of salt and light in Jesus's Sermon on the Mount. [n 1] Originally applied to the city of Boston by early 17th century Puritans, it came to adopt broader use in political rhetoric in United States politics, that of a declaration of American exceptionalism, and referring to America acting as a "beacon of hope" for the world.
American Progress, a painting of profound historical significance, has become a seminal example of American Western Art.Serving as an allegory for manifest destiny and American westward expansion, this 11.50 by 15.75 inches (29.2 cm × 40.0 cm) masterpiece was commissioned in 1872 by George Crofutt, a publisher of American Western travel guides and has since been frequently reproduced.
William Walker (May 8, 1824 – September 12, 1860) was an American physician, lawyer, journalist, and mercenary.In the era of the expansion of the United States, driven by the doctrine of "manifest destiny", Walker organized unauthorized military expeditions into Mexico and Central America with the intention of establishing colonies.