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David Clennon (born May 10, 1943) [1] is an American actor. He is known for his portrayal of Miles Drentell in the ABC series Thirtysomething and Once and Again, as well as his role as Palmer in the John Carpenter film The Thing. He has been frequently cast in films directed by Hal Ashby, Costa-Gavras and Jordan Walker-Pearlman.
Persuasion is a 2007 British television film adaptation of Jane Austen's 1817 novel Persuasion. It was directed by Adrian Shergold , and the screenplay was written by Simon Burke. Sally Hawkins stars as the protagonist Anne Elliot , while Rupert Penry-Jones plays Captain Frederick Wentworth .
Dainton made her film debut in 1942 in The Bells Go Down, in an unnamed role. [1] Dainton's "dancing and acting debut in Technicolor" came in The Dancing Years, [3] with her first notable film role being in Dancing with Crime (1947). [4] She trained at the Rank Organisation's "charm school". Her twin brother, George Bryden, also made a couple ...
Persuasion is a BBC Screen Two 1995 period drama film directed by Roger Michell and based on Jane Austen's 1817 novel of the same name. In her theatrical film debut, Amanda Root stars as protagonist Anne Elliot , while Ciarán Hinds plays her romantic interest, Captain Frederick Wentworth .
Persuasion is a 2022 American historical romance film based on Jane Austen's 1817 novel of the same name. It was directed by Carrie Cracknell from a screenplay by Ron Bass and Alice Victoria Winslow. The film stars Dakota Johnson, Cosmo Jarvis, Nikki Amuka-Bird, Mia McKenna-Bruce, Richard E. Grant, and Henry Golding.
Films based on the novel Persuasion (1817) by Jane Austen. Pages in category "Films based on Persuasion (novel)" The following 3 pages are in this category, out of 3 total.
Tread Softly is a 1952 British second feature ('B') [3] crime film with musical overtones, directed by David MacDonald and starring Frances Day, Patricia Dainton and John Bentley. [4] [5] It was written by Gerald Verner based on his novel The Show Must Go On. A chorus girl investigates a series of mysterious happenings at a derelict theatre.
Eric Till has worked so well with his cast, with both David Hemmings and Samantha Eggar giving perhaps their best performances, in creating the solemn intricacies of trust that the film's more self-conscious drawing of implications – the frozen frame shot when Deborah is persuaded to part with her stick, the slow tracking away from the couple ...