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Minor Swing is written in the key of A minor.Apart from the brief introduction and final coda or playout, there is no discernible melody, just a repeated sequence of chord changes over which the key players improvise continuously until by some mutual agreement the end is decided and the playout performed.
Pages for logged out editors learn more. ... Download as PDF; Printable version; In other projects ... # of chords Quality 50s progression: I–vi–IV–V: 4:
Tchavolo Schmitt (left) with Steeve Laffont, playing their brand of gypsy jazz at la Chope des Puces, Paris, in 2016. Gypsy jazz (also known as sinti jazz, gypsy swing, jazz manouche or hot club-style jazz) is a musical idiom inspired by the Romani jazz guitarist Jean "Django" Reinhardt (1910–1953), in conjunction with the French jazz violinist Stéphane Grappelli (1908–1997), as expressed ...
The result is a French sixth chord or minor seventh chord possibly posing as a virtual augmented sixth. From the French sixth chord (or minor seventh chord posing as augmented sixth), there exists a factor which, when lowered by semitone, gives a result equivalent to a half-diminished seventh chord possibly posing as a virtual augmented sixth.
The author of the original words "Ah! ça ira, ça ira, ça ira" was a former soldier by the name of Ladré who made a living as a street singer.The music is a popular contredanse air called "Le carillon national", and was composed by Jean-Antoine Bécourt [], a violinist (according to other sources: side drum player) of the théâtre Beaujolais.
" Plaisir d'amour" ([plɛ.ziʁ da.muʁ], "Pleasure of love") is a classical French love song written in 1784 by Jean-Paul-Égide Martini (1741–1816); it took its text from a poem by Jean-Pierre Claris de Florian (1755–1794), which appears in his novel Célestine. The song was greatly successful in Martini's version.
Profiterole. Some French pastries also start with pâte à choux, or choux paste, a hot dough made by cooking water, butter, flour, and eggs together in a saucepan; when it bakes, it puffs up and ...
J'attendrai" (French for "I will wait" [1]) is a popular French song first recorded by Rina Ketty in 1938. It became the big French song during World War II ; a counterpart to Lale Andersen 's " Lili Marleen " in Germany and Vera Lynn 's " We'll Meet Again " in Britain.