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The Picador (watercolour painting) Pierrot (Watteau) Pietà of Villeneuve-lès-Avignon; Portrait of a Lady (said to be Anne Stuart, Maréchale d'Aubigny) Portrait of a Young Girl (Guérin) Portrait of Carle Vernet; Portrait of Countess Yekaterina von Engelhardt; Portrait of Frédéric Chopin and George Sand; Portrait of Henriette de Verninac
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Pablo Picasso, 1913, Compotier avec fruits, violon et verre (Bowl with Fruit, Violin, and Wineglass), charcoal, chalk, watercolor, oil paint, and coarse charcoal or pigment in binding medium on applied papers, mounted on cardboard, 64.8 x 49.5 cm (25 1/2 x 19 1/2 inches), Philadelphia Museum of Art
What Our Lord Saw from the Cross (Ce que voyait Notre-Seigneur sur la Croix) is a c. 1890 watercolor painting by the French painter James Tissot. [1] The work is unusual for its portrayal of the Crucifixion of Jesus from the perspective of Jesus on the cross, rather than featuring Christ at the center of the work. [ 2 ]
Almond Blossoms is a group of several paintings made in 1888 and 1890 by Vincent van Gogh in Arles and Saint-Rémy, southern France of blossoming almond trees. Flowering trees were special to van Gogh. They represented awakening and hope. He enjoyed them aesthetically and found joy in painting flowering trees.
The Apparition, Gustave Moreau, 1876. watercolor. Musée d'Orsay, Paris. The Apparition (French: L'Apparition) is a painting by French artist Gustave Moreau, painted between 1874 and 1876. It shows the biblical character of Salome dancing in front of Herod Antipas with a vision of John the Baptist's severed head.
Marie Victor Ignace Poterlet also called Marie Poterlet, Victor Poterlet, and M. Victor Poterlet (1811–1889) was a 19th-century French wallpaper designer, engraver and printmaker. [ 1 ] [ 2 ] His work is held in the collections of the Bibliothèque nationale de France and the Cooper Hewitt Smithsonian Design Museum .