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Among the influential 18th- and 19th-century figures who despised Bernini's art was also and most prominently Johann Joachim Winckelmann (1717–68), considered by many the father of the modern discipline of art history. For the neo-classicist Winkelmann, the one true, laudable "high style" of art was characterized by noble simplicity joined ...
The following is a list of works of sculpture, architecture, and painting by the Italian Baroque artist Gian Lorenzo Bernini. The numbering follows Rudolph Wittkower's Catalogue, published in 1966 in Gian Lorenzo Bernini: The Sculptor of the Roman Baroque. [1] [2] [3]
According to Filippo Baldinucci, even before Pietro Bernini moved his family from Naples to Rome, eight-year-old Gian Lorenzo created a "small marble head of a child that was the marvel of everyone". [4] Throughout his teenage years, he produced numerous images containing putti, chubby male children usually nude and sometimes winged.
In 1620, Italian artist Gian Lorenzo Bernini sculpted the mattress upon which the statue now lies. The form is partly derived from ancient portrayals of Venus and other female nudes, and partly from contemporaneous feminised Hellenistic portrayals of Dionysus/Bacchus .
Two Busts of Cardinal Scipione Borghese are marble portrait sculptures executed by the Italian artist Gian Lorenzo Bernini in 1632. Cardinal Scipione Borghese was the nephew of Pope Paul V, and had commissioned other works from Bernini in the 1620s.
Cardinal Scipione Borghese, an important art collector, was the collection's instigator and collected the majority of the collection. His collection was poetically described as early as 1613 by Scipione Francucci. In 1607, the Pope gave the Cardinal 107 paintings which had been confiscated from the studio of the painter Cavalier D'Arpino.
Vatican police arrested a former employee for allegedly trying to sell to the city-state a 17th-century manuscript by Italian Baroque master Gian Lorenzo Bernini that had previously disappeared ...
Many of the sculptures are displayed in the spaces for which they were intended, including many works by Gian Lorenzo Bernini, which comprise a significant percentage of his output of secular sculpture, starting with early works such as the Goat Amalthea with Infant Jupiter and Faun (1615) and Aeneas, Anchises & Ascanius (1618–19) [8] [9] to ...
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