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In 2007, the Walker Art Center exhibition "Kara Walker: My Complement, My Oppressor, My Enemy, My Love" was the artist's first full-scale US museum survey. Her influences include Andy Warhol, whose art Walker says she admired as a child, [12] Adrian Piper, [24] [25] and Robert Colescott. [21]
Walker reappropriates the cut-paper silhouettes crafted by proper ladies in the nineteenth century to create strange tableaux from antebellum romance novels and slave narratives. [2] They Waz Nice White Folks While They Lasted is actually one of her less disturbing works, which can feature images of rape, murder, and torture.
A Subtlety (also known as the Marvelous Sugar Baby and subtitled an Homage to the unpaid and overworked Artisans who have refined our Sweet tastes from the cane fields to the Kitchens of the New World on the Occasion of the demolition of the Domino Sugar Refining Plant) is a 2014 piece of installation art by American artist Kara Walker.
Kara Walker, a contemporary American artist, is known for her exploration of race, gender, sexuality, violence and identity in her artworks. Walker's silhouette images work to bridge unfinished folklore in the Antebellum South and are reminiscent of the earlier work of Harriet Powers. Her nightmarish yet fantastical images incorporate a ...
African American artist Kara Walker featured two nkondi figures in her silhouette piece "Endless Conundrum, an African Anonymous Adventure" in 2001, and frequently re-exhibited. [19] In her self-curated show at the Metropolitan Museum of Art in 2006, Walker also used an nkisi, probably nkondi as a central motif for the show "Kara Walker at the ...
Scholar Arlene R. Keizer, writing about a work by the African-American artist Kara Walker, argues that she uses cut-paper silhouette to cast "the entire family, white and black, slave masters, slave mistresses, enslaved 'concubines,' and children (following the condition of the mother), into shadow...a dysfunctional family portrait, referencing both the biological families engendered through ...
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A traditional silhouette portrait of the late 18th century. A silhouette (English: / ˌ s ɪ l u ˈ ɛ t /, [1] French:) is the image of a person, animal, object or scene represented as a solid shape of a single colour, usually black, with its edges matching the outline of the subject.