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Hemerocallis fulva, the orange day-lily, [3] tawny daylily, corn lily, tiger daylily, fulvous daylily, ditch lily or Fourth of July lily (also railroad daylily, roadside daylily, outhouse lily, and wash-house lily), [citation needed] is a species of daylily native to Asia.
Some will bloom in early spring while others wait until the summer or even autumn. Most daylily plants bloom for 1 through 5 weeks, although some bloom twice in one season ("rebloomers)". [ 14 ] Daylilies are not commonly used as cut flowers for formal flower arranging , yet they make good cut flowers otherwise, as new flowers continue to open ...
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
They bring the flowers that bloom in May, So if it's raining have no regrets, Because it isn't raining rain you know, it's raining violets. Chorus And where you see clouds upon the hills, You soon will see crowds of daffodils, So keep on looking for a bluebird, And list'ning for his song, Whenever April showers come along.
"Heaven Knows I'm Miserable Now" is a song by English rock band the Smiths. Released as a single in May 1984, it reached No. 10 on the UK Singles Chart, [3] making it the band's first top ten single. It was later included on the November 1984 compilation album Hatful of Hollow and the March 1987 compilation album Louder Than Bombs.
"Turn! Turn! Turn!", also known as or subtitled "To Everything There Is a Season", is a song written by Pete Seeger in 1959. [1] The lyrics – except for the title, which is repeated throughout the song, and the final two lines – consist of the first eight verses of the third chapter of the biblical Book of Ecclesiastes. The song was originally released in 1962 as "To Everything There Is a ...
It was written by James Keyes, Claude Feaster, Carl Feaster, Floyd F. McRae, and William Edwards, members of the Chords, and was released in 1954. It is sometimes considered the first doo-wop or rock and roll record to reach the top ten on the pop charts (as opposed to the R&B charts), as it was a top-10 hit that year for both the Chords (who ...
The biggest hit version of the song was by Frankie Laine. [5] This recording was released by Mercury Records as catalog number 5316. It first reached the Billboard Best Seller chart on August 19, 1949, and lasted 22 weeks on the chart, peaking at No. 1.