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Then said He unto me: 'Prophesy unto the breath, prophesy, son of man, and say to the breath: {S} Thus saith the Lord GOD: Come from the four winds, O breath, and breathe upon these slain, that they may live.' [10] "Son of man" (Hebrew: בן־אדם ): this phrase is used 93 times to address Ezekiel. [11]
1941 – Do These Bones Live (essays, cultural criticism) 1947 – Sing O Barren (revision of Do These Bones Live) 1950 – Flea of Sodom (essays and parables) 1957 – The Sorrows of Priapus (essay) 1960 – Can These Bones Live (second revision of Do These Bones Live)
Interpretation of the use of "the Son of man" in the New Testament has remained challenging and after 150 years of debate no consensus on the issue has emerged among scholars. [1] [2] The expression "the Son of man" occurs 81 times in the four canonical gospels (mainly quoting Jesus) [3] and another four times in the rest of the New Testament ...
Whether these messianic "Son of Man" references are genuinely Jewish or the result of Christian interpolation is disputed. [4] An example of a disputed section is that of The Similitudes (1 Enoch 37–71) which uses Daniel 7 to produce an unparalleled messianic Son of Man, pre-existent and hidden yet ultimately revealed, functioning as judge ...
Two of his works were nominated for Hugo Awards in 1980: "Can These Bones Live?" for Best Short Story, and Ker-Plop for Best Novella. His only novel, The Tides of God (1989), concerns millennialism being inspired by extraterrestrials.
It was more than two decades ago when an Arizona man called sheriff's deputies in Yavapai County, Ariz., to report a unique and disturbing discovery: While perusing his childhood rock collection ...
A man who admitted causing two fractures to his four-week-old son has been given a suspended jail sentence. The 24-year-old father, who cannot be named to protect the identity of the child, took ...
A notable work is The Doubt: "Can these Dry Bones Live?" of 1854, exhibited at the Royal Academy in 1855, and again at the 1862 International Exhibition. It was presented to the Tate Gallery by a member of the family in 1921. [2] Bowler retired from the Science and Art Department in 1891.