Search results
Results from the WOW.Com Content Network
An organ recital is a concert at which music specially written for the organ is played.. The music played at such recitals is typically written for pipe organ, which includes church organs, theatre organs and symphonic organs (also known as concert organs).
In reality, playlists for each hour of the day have usually been generated in advance by a radio station's program director using a music scheduling system. This ensures that the station programming is optimal and adheres to the policies and objectives of the station's management.
The most common form of sacred jazz is the Jazz Mass. Although most often performed in a concert setting rather than church worship setting, this form has many examples. Eminent examples of composers of the Jazz Mass include Mary Lou Williams and Eddie Bonnemère.
In September, the concerts will move to the Rose Bowl in Pasadena, California, for two days on Sept. 6 and 7. Dua Lipa – Radical Optimism Tour Dates: Sept. 1–Oct. 16 | USA, Canada
The distinction between concert masses and those intended for liturgical use also came into play as the 19th century progressed. [5] After the Renaissance, the mass tended not to be the central genre for any one composer, yet among the most famous works of the Baroque, Classical, and Romantic periods are settings of the Ordinary of the Mass.
Eric Church will continue to focus on events at his six-month-old Chief's bar on Lower Broadway with a Sept. 30 concert to air on SiriusXM.
1965 - Concert of Sacred Music; 1968 - Second Sacred Concert; 1973 - Third Sacred Concert; Ellington called these concerts "the most important thing I have ever done". He said many times that he was not trying to compose a Mass. The critic Gary Giddins has characterized these concerts as Ellington bringing the Cotton Club revue to the church. [1]
Mass (formally: MASS: A Theatre Piece for Singers, Players, and Dancers) is a musical theatre work composed by Leonard Bernstein with text by Bernstein and additional text and lyrics by Stephen Schwartz. Commissioned by Jacqueline Kennedy, it premiered on September 8, 1971, conducted by Maurice Peress and choreographed by Alvin Ailey. [1]