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The term Hazuri Ragi, also spelt as a Hazoori Ragi ("designated cantor" [3]) is a title that refers to a ragi who serve at the Golden Temple in Amritsar who can perform shabad hymns as per their traditionally prescribed raag as designated by the Guru Granth Sahib. [4] [2] The title is often appended to the names these ragis. [2]
A raga or raag (Punjabi: ਰਾਗ رَاگَ ; Rāg) is a complex structure of musical melody used in Indian classical music and is the central native organizing and classification mechanism and scheme present within the Guru Granth Sahib, where various compositions and sections of the text are privided primarily based upon their accompanying ...
Gurbani (Punjabi: ਗੁਰਬਾਣੀ, pronunciation: [ɡɝbaːɳiː], lit. the Guru's words) is a Sikh term, very commonly used by Sikhs to refer to various compositions by the Sikh Gurus and other writers of Guru Granth Sahib. In general, hymns in the central text of the Sikhs, the Guru Granth Sahib, are called Gurbani.
…Some burn themselves along with their dead husbands: [but they need not, for] if they really loved them they would endure the pain alive. — Sri Guru Granth Sahib page 787 The Guru said that if the wife really loves her husband, then she should endure the pain of separation alive; that she should rather continue living her life than suffer ...
In the below list, the Bhagats (Punjabi: ਭਗਤ, from Sanskrit भक्त) were holy men of various sects whose teachings are included in the Guru Granth Sahib. Their bani (compositions) come under the title Bani Bhagtaan Ki. The word "Bhagat" means devotee, and comes from the Sanskrit word Bhakti, which means devotion and love.
Sukhmani Sahib (Punjabi: ਸੁਖਮਨੀ ਸਾਹਿਬ), known under the title of Gauri Sukhmani in the scripture (named after the Gauri raga musical measure it belongs to), [1] is usually translated to mean Prayer of Peace [2] is a set of 192 padas (stanzas of 10 hymns) [3] present in the holy Guru Granth Sahib, the main scripture and living Guru of Sikhism from Ang 262 to Ang 296 (about ...
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Raag Suhi (ਸੂਹੀ) – Suhi is an expression of such devotion that the listener experiences feelings of extreme closeness and undying love. The listener is bathed in that love and genuinely learns what it means to adore. Raga Suhi was favoured for religious events and is found in many ancient articles on music.