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Hymn 1.32 of the Rigveda is a poem praising the deity Indra for his victory over the serpent Vritra. While this story is often referred to in the Rigveda, hymn 1.32 is the only detailed description of it. The poem describes in 15 stanzas how Indra smashes Vritra with his mace, thereby liberating the waters. The hymn is rich in similes and has ...
Indra was a prominent deity in the Historical Vedic religion. [32] In Vedic times Indra was described in Rig Veda 6.30.4 as superior to any other god. Sayana in his commentary on Rig Veda 6.47.18 described Indra as assuming many forms, making Agni , Vishnu , and Rudra his illusory forms.
Indra marvels at the asura's devotion to the preserver deity. When the king of the devas succeeds in slicing both of his opponent's arms, the latter swallows him whole, along with Airavata . Protected by Vishnu, Indra cuts open the belly of Vritra and escapes, finally beheading him with the vajra.
A statue of Thagyamin at the Kyauktan Yay-Le Pagoda. Thagyamin (Burmese: သိကြားမင်း, pronounced [ðədʑámɪ́ɰ̃]; from Sanskrit ၐကြ Śakra) is the highest-ranking nat (deity) in traditional Burmese Buddhist belief.
Indra's net (also called Indra's jewels or Indra's pearls, Sanskrit Indrajāla, Chinese: 因陀羅網) is a metaphor used to illustrate the concepts of Śūnyatā (emptiness), [1] pratītyasamutpāda (dependent origination), [2] and interpenetration [3] in Buddhist philosophy. The metaphor's earliest known reference is found in the Atharva Veda.
The second Mandala of the Rigveda has 43 hymns, mainly to Agni and Indra chiefly attributed to the Rishi gṛtsamada śaunohotra.It is one of the "family books" (mandalas 2-7), the oldest core of the Rigveda, which were composed in early vedic period (1500-1000 BCE).
Max Muller described the character of the Vedic hymns as a form of henotheism, in which "numerous deities are successively praised as if they were one ultimate God." [2] According to Graham, in the Vedic society it was believed that humans could contact the gods through the spoken utterances of the Vedic seers, and "the One Real" (ekam sat) in 1.164.46 refers to Vāc, both "speech" and goddess ...
Inder Sabha (Urdu: اندر سبھا, lit. "the Council of Indra") is an Urdu play and opera written by Agha Hasan Amanat, and first staged in 1853. [1] It is regarded as the first complete Urdu stage play ever written.
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