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Kuebiko (久延毘古) – A Shinto kami of local knowledge and agriculture, represented in Japanese mythology as a scarecrow, who cannot walk but has comprehensive self-awareness and omniscience. Kuji-in (九字印, lit. ' Nine Hand Seals ') – A system of mudras and associated mantras that consist of nine syllables. Kuji-kiri (九字切り, lit.
Shishi kagura – a form of lion dance, in which a group of dancers take on the role of the lion (shishi) and parade around the town. The lion mask and costume is seen as, in some ways, embodying the spirit of the lion, and this is a form of folk worship and ritual, as other forms of lion dances are in Japan and elsewhere.
A miko (), or shrine maiden, [1] [2] is a young priestess [3] who works at a Shinto shrine. Miko were once likely seen as shamans, [4] but are understood in modern Japanese culture to be an institutionalized [5] role in daily life, trained to perform tasks, ranging from sacred cleansing [4] to performing the sacred Kagura dance.
Ame-no-Uzume-no-Mikoto (Japanese: 天宇受売命, 天鈿女命) is the goddess of dawn, mirth, meditation, revelry and the arts in the Shinto religion of Japan, and the wife of fellow-god Sarutahiko Ōkami. (-no-Mikoto is a common honorific appended to the names of Japanese gods; it may be understood as similar to the English honorific 'the ...
Kagutsuchi's birth, in Japanese mythology, comes at the end of the creation of the world and marks the beginning of death. [4] In the Engishiki , a source which contains the myth, Izanami, in her death throes, bears the water goddess Mizuhanome , instructing her to pacify Kagu-tsuchi if he should become violent.
The style of dance practiced by geisha today evolved from dance styles used in both nōh and kabuki theatre. Over time, the more exaggerated theatrical styles evolved into the subtle and more stylised form of dancing used today; despite the difference, elements of traditional Japanese dance, such as the use of gestures to tell a story and the ...
Shirabyōshi (白拍子) were Japanese female entertainers in the Heian and Kamakura periods who sang songs and performed dances. They danced dressed as men. [2] The profession of shirabyōshi became popular in the 12th century. They would perform for the nobility, and at celebrations.
Japanese gods and goddesses, called kami, are uniquely numerous (there are at least eight million) and varied in power and stature. [1] They are usually descendants from the original trio of gods that were born from nothing in the primordial oil that was the world before the kami began to shape it.