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The film-poem (also called the poetic avant-garde film, verse-film or verse-documentary or film poem without the hyphen) [1] is a label first applied to American avant-garde films released after World War II. [2] During this time, the relationship between film and poetry was debated.
Roy Croft (sometimes, Ray Croft) is a pseudonym frequently given credit for writing a poem titled "Love" that begins "I love you not only for what you are, but for what I am when I am with you." [1] The poem, which is commonly used in Christian wedding speeches and readings, is quoted frequently. The poem is actually by Mary Carolyn Davies. [2]
Missouri Poet Laureate David L. Harrison describes something unexpected he found after checking into a room with a fly in it.
Love Is Not All: It Is Not Meat nor Drink is a 1931 poem by Edna St. Vincent Millay, written during the Great Depression. [1]The poem was included in her collection Fatal Interview, a sequence of 52 sonnets, appearing alongside other sonnets such as "I dreamed I moved among the Elysian fields," and "Love me no more, now let the god depart," rejoicing in romantic language and vulnerability. [2]
The poem's structure was heavily influenced by Eliot's extensive reading of Dante Alighieri [4] and makes several references to the Bible and other literary works—including William Shakespeare's plays Henry IV Part II, Twelfth Night, and Hamlet; the poetry of 17th-century metaphysical poet Andrew Marvell; and the 19th-century French ...
"A Valediction: Forbidding Mourning" is a metaphysical poem by John Donne. Written in 1611 or 1612 for his wife Anne before he left on a trip to Continental Europe, "A Valediction" is a 36-line love poem that was first published in the 1633 collection Songs and Sonnets, two years after Donne's death.
A writer learning the craft of poetry might use the tools of poetry analysis to expand and strengthen their own mastery. [4] A reader might use the tools and techniques of poetry analysis in order to discern all that the work has to offer, and thereby gain a fuller, more rewarding appreciation of the poem. [ 5 ]
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