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The subtitle "(War Time)" of the poem, which appears in the Flame and Shadow version of the text, is a reference to Teasdale's poem "Spring In War Time" that was published in Rivers to the Sea about three years earlier. "There Will Come Soft Rains" addresses four questions related to mankind's suffering caused by the devastation of World War I ...
Sara Trevor Teasdale (later Filsinger; August 8, 1884 – January 29, 1933) was an American lyric poet. She was born in St. Louis, Missouri , and used the name Filsinger after her 1914 marriage. [ 1 ]
"There Will Come Soft Rains" (poem), by Sara Teasdale "There Will Come Soft Rains" (short story), by Ray Bradbury This page was last edited on 28 ...
Scars Upon My Heart includes 125 poems written by 79 women, bringing together works by writers with established reputations, such as Edith Sitwell, May Wedderburn Cannan, Margaret Postgate Cole, Sara Teasdale, and Katharine Tynan.
The title is from a 1918 poem of the same name by Sara Teasdale that was published during World War I and the Spanish flu pandemic. The story was first published in 1950 in two different versions in two separate publications, a one-page short story in Collier's magazine and a chapter of the fix-up novel The Martian Chronicles.
Sara Teasdale (1884–1933), American lyrical poet; Regina Ullmann (1884–1961), Swiss poet writing in German; Dorothy Wellesley, Duchess of Wellington (1889–1956), English poet; Anna Wickham, born Edith Alice Mary Harper (1884–1947), English poet with Australian connections; Elinor Wylie (1885–1928), American poet and novelist
Reedy's Mirror was a literary journal in St. Louis, Missouri in the fin de siècle era. [1] It billed itself "The Mid-West Weekly". [2]Contributors included Edna St. Vincent Millay, [3] Robert Frost, Carl Sandburg, [4] Ezra Pound, Vachel Lindsay, [1] Harris Merton Lyon, [5] Sara Teasdale, [6] Albert Bloch [7] and Theodore Dreiser.
Vachel Lindsay in 1912. While in New York in 1905 Lindsay turned to poetry in earnest. He tried to sell his poems on the streets. Self-printing his poems, he began to barter a pamphlet titled Rhymes To Be Traded For Bread, which he traded for food as a self-perceived modern version of a medieval troubadour.
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