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G ♭ is a major third below B ♭, whereas F ♯ is a major third above D (a minor third below A). When calculated in equal temperament with a reference of A above middle C as 440 Hz, the frequency of the G ♭ semitone is approximately 369.994 Hz. [1] See musical pitch for a discussion of historical variations in frequency.
The Geistervariationen (Ghost Variations), or Theme and Variations in E-flat major for piano, WoO 24, composed in 1854, is the last piano work of Robert Schumann.The variations were composed in the time leading up to his admission to an asylum for the insane and are infrequently played or recorded today.
They have the same theme but differ in the number of variations. Both pieces are still performed; for example, the Twenty Variations in G major on Haydn: Piano Variations by Jenő Jandó, [4] Arietta con 12 Variazioni in A major on Haydn: Piano Sonatas Vol. 9 by Jenő Jandó, [5] and Twenty Variations in A major on The Virtual Haydn by Tom ...
Capriccio in G major on "Acht Sauschneider müssen sein", Hob. XVII/1; Twenty Variations in G major, Hob. XVII/2; Arietta con 12 Variazioni, Hob. XVII/3; Fantasia (Capriccio) in C major, Hob. XVII/4 (1789) Variations (6) in C major, Hob. XVII/5 (1790) Variations in F minor, Un piccolo divertimento, Hob. XVII/6 (1793) Variations (5) in D major ...
Waltz in G major for piano, Albumblatt: Walzer in G ♫ 16 April 1825 845 42 Sonata in A minor: Sonate in a ♫ Before the end of May 1825 9 16 I. Moderato II. Andante poco mosso III. Scherzo. Allegro vivace – Trio. Un poco più lento IV. Rondo. Allegro vivace 850 53 Sonata in D major, Gasteiner: Sonate in D ♫ August 1825 11 17 I. Allegro ...
S 162 – Marche à la romaine for piano in E flat major; S 163 – Attila (lost) S 164 – Variations for piano in E major; S 165 – Rondoletto for piano in C major; S 166 – Einmal nur in unserm Leben; S 167 – Birthday Cantata for Goethe (1825) S 167a – Album piece for piano; S 168, WoO 7 – Impromptu in Canone for piano in G major
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Beethoven was writing in a form usually attempted by older, more mature composers, [4] as the sonata was a cornerstone of Classical piano literature. Since they were written at such an early age (and Beethoven himself did not assign them opus numbers), the works have historically been omitted from the canon of Beethoven's piano sonatas.
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