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In creating a motion picture with any degree of fidelity to a script, a storyboard provides a visual layout of events as they are to be seen through the camera lens. In the case of interactive media, it is the layout and sequence in which the user or viewer sees the content or information.
In comics studies, sequential art is a term proposed by comics artist Will Eisner [1] to describe art forms that use images deployed in a specific order for the purpose of graphic storytelling [2] (i.e., narration of graphic stories) [3] or conveying information. [2] The best-known example of sequential art is comics. [4]
Stroboscopic images is where a series of static images are viewed in sequence at a high enough rate that the static images appear to blend into a continuous motion. An example of this is a motion picture. Optical art (or Op art.) is when artists use simple black and white patterns that create vivid illusions of motion, which are known as ...
Animation is a filmmaking technique whereby still images are manipulated to create moving images. In traditional animation , images are drawn or painted by hand on transparent celluloid sheets ( cels ) to be photographed and exhibited on film.
A montage (/ m ɒ n ˈ t ɑː ʒ / mon-TAHZH) is a film editing technique in which a series of short shots are sequenced to condense space, time, and information. Montages enable filmmakers to communicate a large amount of information to an audience over a shorter span of time by juxtaposing different shots, compressing time through editing, or intertwining multiple storylines of a narrative.
Time-lapse photography is a technique in which the frequency at which film frames are captured (the frame rate) is much lower than the frequency used to view the sequence. When played at normal speed, time appears to be moving faster and thus lapsing.
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A slide show, or slideshow, is a presentation of a series of still images on a projection screen or electronic display device, typically in a prearranged sequence. The changes may be automatic and at regular intervals or they may be manually controlled by a presenter or the viewer.