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Salah Asuhan is generally considered one of the most important works in modern Indonesian Literature and is commonly used as reading material in Indonesian literature classes. [2] Bakri Siregar wrote positively of Salah Asuhan, considering the diction unparalleled in its contemporaries and the characters well fleshed-out. [3]
Salah Asuhan (literally Wrong Upbringing, released internationally as The Misfit) is a 1972 film directed by Asrul Sani, produced by Andy Azhar, and starring Dicky Zulkarnaen, Ruth Pelupessy, and Rima Melati.
In his first novel, Salah Asuhan (Wrong Upbringing), published in 1928, Muis depicted the problem of racial and social discrimination in the tragic story of Hanafi and Corrie. [6] The Western-oriented Hanafi and the feisty, liberal Corrie represent the conflict pre-independent Indonesia faced in choosing either to adhere to traditional values ...
Hans Bague Jassin (31 July 1917 – 11 March 2000), better known as HB Jassin, was an Indonesian literary critic, documentarian, and professor.Born in Gorontalo to a bibliophilic petroleum company employee, Jassin began reading while still in elementary school, later writing published reviews before finishing high school.
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Uncommonly for Indonesian literature during this time period, Belenggu 's chapters were labelled with only a number – other works, such as Abdul Muis' 1928 novel Salah Asuhan (Wrong Upbringing), gave both a number and subtitle to the chapters. According to Taum, this change in style represents a stream of consciousness, as opposed to the ...
Nurbaya confiding to her mother after Samsu's move to Batavia; she feared he no longer loved her. In Padang in the early 20th century Dutch East Indies, Samsulbahri and Sitti Nurbaya–children of rich noblemen Sultan Mahmud Syah and Baginda Sulaiman–are teenage neighbours, classmates, and childhood friends.
Atheis (English: Atheist) is a 1949 Indonesian novel written by Achdiat Karta Mihardja and published by Balai Pustaka.The novel, using three narrative voices, details the rise and fall of Hasan, a young Muslim who is raised to be religious but winds up doubting his faith after dealings with his Marxist–Leninist childhood friend and an anarcho-nihilist writer.