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Looking for ideas for a new subject, Adès saw Jonathan Kent's staging of Shakespeare's The Tempest at the Almeida Theatre in London in 2000. [7] For a new libretto, Adès turned to the experienced dramatist Meredith Oakes, whose work had included a short opera libretto for Miss Treat (2002); since the early 1990s, several original plays, translations and adaptations of classics and modern ...
EMI's recording of the Covent Garden performance of The Tempest won Adès the title of Composer of the Year in the 2010 Classical BRIT Awards. [23] The Metropolitan Opera, New York, included The Tempest in its 2012–13 season, conducted by Adès and produced by Robert Lepage. [24] [25] The same production was seen in Vienna in the summer of 2015.
[3] Vocal: 2001: Brahms: for baritone and orchestra: words by Alfred Brendel: Opera: 2003: The Tempest: for soloists, chorus and orchestra: libretto by Meredith Oakes based on the play by William Shakespeare; in 3 acts Orchestral: 2004: Overture to The Tempest: for orchestra: Vocal: 2004: Scenes from The Tempest: for Soloists and orchestra ...
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Living Toys, Op. 9, is a composition for chamber ensemble by the English composer Thomas Adès. It was written in 1993 as a part of his MPhil portfolio in Composition at Cambridge University and premiered at the Barbican Hall in London under Oliver Knussen .
Thomas Adès curated the L.A. Phil's Gen X festival, a celebration of visionaries from that generation. A highlight: his orchestral "Dante."
Tevot is a one-movement symphony for orchestra by the British composer Thomas Adès. The work was commissioned by the Berlin Philharmonic and Carnegie Hall. The world premiere was given by the Berlin Philharmonic under the direction of Simon Rattle at the Berliner Philharmonie on February 21, 2007. The United States premiere was given by the ...
The new season of the hit series details a battle between two high-society music venues, but how much of it is real?