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Bhawaiya is a musical form or a popular folk music that originated in Northern Bengal, especially the Rangpur Division in Bangladesh, Cooch Behar district of West Bengal, India, and the undivided Goalpara district of Assam, India.
The song is the first track of this album. [1] Shahidullah was posthumously awarded with the best lyricist of 1998 by the Bangladesh Film Journalists Association. [2] The song was popularized in West Bengal by singer Kabir Suman, by releasing a duet album with Sabina Yasmin, titled, Tero (2006). The song is featured in this album. [3]
Rajjob Ali Dewan was a legendary Bengali folk singer, poet, and lyricist who made significant contributions to Bengali folk music, particularly in the genres of Baul, Bhatiali, and Marfati (Sufi-inspired) songs. His works reflect rural life, spiritual love, and mysticism.
The word amar refers to the possessive first-person singular ' my ' or ' (of) mine '; the word sonar is the adjectival form of the root word sona, meaning ' gold '; and the word sonar, which literally translates as ' golden ' or ' made of gold ', is used as a term of endearment meaning ' beloved ', but in the song, the words Sonar Bangla may be interpreted to express the preciousness of Bengal.
The Khandana Bhava–Bandhana was written by Swami Vivekananda in Bengali as a hymn to his guru, Sri Ramakrishna. The English translation by Swami Prabhavananda and Christopher Isherwood is used by English-speaking Vedanta Centers in the evening vesper worship services: Breaker of this world's chain, We adore Thee, whom all men love.
Sangeet Kalpataru (literal meaning: "Wish fulfilling tree of music". [1]) is a Bengali language song anthology edited and compiled by Swami Vivekananda (as Narendranath Datta) and Vaishnav Charan Basak.
Songs written for Bengali films (3 C, 6 P) A. Asif Akbar songs (1 P) Nakash Aziz songs (1 P) B. Ayub Bachchu songs (3 P) Momtaz Begum songs (1 P) C. Kanak Chapa songs ...
Nazrul's acquaintance with the tradition of Persian Ghazals, a form of love songs, was very significant in the sense that it paved the base of his successful efforts in composing Bengali Ghazals which he undertook by 1927–28. Bengali Ghazal is, it can be mentioned outright, an innovation by Kazi Nazrul Islam alone.