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"Derrida, Algeria, and 'Structure, Sign, and Play'" — essay by Lee Morrissey interpreting the lecture/essay with respect to Derrida's Algerian background; Lecture about "Structure, Sign, and Play" by Paul Fry at Yale University (February 2009) Lecture about "Structure, Sign, and Play" by John David Ebert on YouTube.
Freeplay (French: jeu libre) is a literary concept from Jacques Derrida's 1966 essay, "Structure, Sign, and Play in the Discourse of the Human Sciences". In his essay, Derrida speaks of a philosophical "event" that has occurred to the historic foundation of structure. Before the "event", man was the center of all things.
Of Grammatology (French: De la grammatologie) is a 1967 book by the French philosopher Jacques Derrida.The book, originating the idea of deconstruction, proposes that throughout continental philosophy, especially as philosophers engaged with linguistic and semiotic ideas, writing has been erroneously considered as derivative from speech, making it a "fall" from the real "full presence" of ...
Derrida refers to this process as espacement or "spacing" and temporisation or "temporising". Derrida developed the concept of différance deeper in the course of an argument against the phenomenology of Husserl, who sought a rigorous analysis of the role of memory and perception in our understanding of sequential items such as music or language.
Acts of Literature is a 1991 philosophical and literary book based on essays by the French philosopher Jacques Derrida. The book is the first collection of Derrida's essays on Western-culture literary texts. Derek Attridge edited the book in close association with Derrida himself.
Speech and Phenomena: And Other Essays on Husserl's Theory of Signs, or Voice and Phenomenon: Introduction to the Problem of the Sign in Husserl's Phenomenology, [1] (French: La Voix et le Phénomène) is a book about the phenomenology of Edmund Husserl by the French philosopher Jacques Derrida, published in 1967 alongside Derrida's Of Grammatology and Writing and Difference.
One of the many difficulties of expressing Jacques Derrida's project (deconstruction) in simple terms is the enormous scale of it.Just to understand the context of Derrida's theory, one needs to be acquainted intimately with philosophers such as Socrates–Plato–Aristotle, René Descartes, Immanuel Kant, Georg Wilhelm Friedrich Hegel, Charles Sanders Peirce, Jean-Jacques Rousseau, Karl Marx ...
This shock allows for two reactions in Derrida's philosophy: the more negative, melancholic response, which he designates as Rousseauistic, or the more positive Nietzschean affirmation. Rousseau's perspective focuses on deciphering the truth and origin of language and its many signs, an often exhaustive occupation. Derrida's response to ...