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In 1776, Wolfgang Amadeus Mozart composed three piano concertos, one of which was the Concerto for three pianos and orchestra in F major, No. 7, K. 242. He originally finished it in February 1776 for three pianos; however, when he eventually recomposed it for himself and another pianist in 1780 in Salzburg, he rearranged it for two pianos, and that is how the piece is often performed today.
Concerto No. 6, K. 238 from 1776 is the first Mozart concerto proper to introduce new thematic material in the piano's first solo section. Concerto No. 7, K. 242 for three pianos and Concerto No. 8, K. 246 also date from 1776 and are generally not regarded as demonstrating much of an advance, although No. 7 is quite well known.
Piano Concerto No. 1, Op. 3 (Moritz Moszkowski) Piano Concerto No. 1, Op. 2 (Eugen d'Albert) Piano Concerto No. 2 ; Symphonic Concerto (Furtwängler) Piano Concerto (Hamilton Harty) Piano Concerto No. 7 ; Piano Concerto No. 3 (Hummel) Piano Concerto No. 1 ; Concerto Symphonique No. 2 ; Piano Concerto No. 4
Piano Concerto No. 3 in G minor, op. 58; Piano Concerto No. 4 in E, op. 64 (1823) Piano Concerto No. 5 in C, op. 87 (1826–31) Piano Concerto No. 6 in B-flat, op. 90 Fantastique (1834) Piano Concerto No. 7 in C minor, op. 93 Pathétique (1835) Piano Concerto No. 8 in D, Pastorale, op. 96 (1838) - the orchestral parts for this concerto have ...
Piano Concerto No. 3 in G minor, Op. 58; Piano Concerto No. 4 in E, Op. 64 (1823) Piano Concerto No. 5 in C, Op. 87 (1826–31) Piano Concerto No. 6 in B-flat, Op. 90 Fantastique (1834) Piano Concerto No. 7 in C minor, Op. 93 Pathétique (1835) Piano Concerto No. 8 in D, Pastorale, Op. 96 (1838) – the orchestral parts for this Concerto have ...
Sergei Rachmaninoff utilized siciliana style and rhythms in three of his Op. 32 Preludes for piano: the B-flat minor (No. 2), the B minor (No. 10), and the B major (No. 11). Maurice Duruflé 's Suite for Organ (Op. 5) contains a Sicilienne notable for its Impressionist harmonies, [ 11 ] and another prominent example is the middle movement of ...
This is a very unusual form in tonal music, [1] [2] although examples became more common in the nineteenth century. [3] There are far fewer major/minor compositions than minor/major ones [4] (the latter category of which includes, but is not limited to, all minor-key works that end with a Picardy third, as well as many Classical- and Romantic ...
The concerto is scored for piano solo, 2 flutes, 2 oboes, 2 clarinets in A, 2 bassoons, 2 horns in A, 2 trumpets in C, trombone, timpani in A & E, violins I & II, violas, cellos, and basses. With this instrumentation Clara Schumann chose the usual orchestration typical of early Romantic music .