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Souvenir: The Singles 2004–2012 is a compilation album by the English indie rock band Kaiser Chiefs. [2] The album features almost all of the singles released by the band from 2004 to 2012 (minus "Sink That Ship", a double A-Side), as well as a new track titled "Listen to Your Head" and the previously unreleased "On The Run".
Kaiser Chiefs released their third album, Off with Their Heads, in October 2008. It reached number two in the UK, [4] and produced two singles. In 2014, Kaiser Chiefs released their 4th album, Education, Education, Education & War. On 31 March 2014, it reached number 1 on the UK Albums Chart, marking their first number 1 since Yours Truly ...
In early 2012, Kaiser Chiefs played a 20 date tour of the United Kingdom, followed by a tour of North America. [37] [38] Kaiser Chiefs released their first compilation album, Souvenir: The Singles 2004–2012, in the UK on 4 June 2012. The album features all of the singles released by the band from 2004 to 2012, as well as a new track titled ...
It should only contain pages that are Kaiser Chiefs albums or lists of Kaiser Chiefs ... Kaiser Chiefs' Easy Eighth Album; L. ... (album) S. Souvenir: The Singles ...
Kaiser Chiefs' Easy Eighth Album is the eighth studio album by English indie rock band Kaiser Chiefs, released on 1 March 2024.Produced by Amir Amor, it was preceded by the singles "How 2 Dance", "Jealousy", "Feeling Alright" (co-written with Nile Rodgers), [1] "Burning in Flames" and "Beautiful Girl".
Kaiser Chiefs album covers (17 F) Kaiser Chiefs albums (1 C, 10 P) M. ... Pages in category "Kaiser Chiefs" The following 3 pages are in this category, out of 3 total.
"Love's Not a Competition (But I'm Winning)" is a song by English band Kaiser Chiefs, featured on the band's second studio album, Yours Truly, Angry Mob. It was released as a collector's edition 7" only single on 12 November 2007, with The Little Ones ' cover of " Everything Is Average Nowadays " as a B-side.
Dorian Lynskey of The Guardian wrote that the Kaiser Chiefs had been labeled as has-beens by 2003-2004, and they were desperate to build a fanbase to impress record labels: "The need to make an impression while bottom of the bill in a tiny venue explains all the ohhhhhhs and nanananas and oft-repeated choruses that set up shop in the listener's ...
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