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"High Hopes" is a popular song first popularized by Frank Sinatra, with music written by James Van Heusen and lyrics by Sammy Cahn. [1] It was introduced by Sinatra and child actor Eddie Hodges in the 1959 film A Hole in the Head, was nominated for a Grammy, and won an Oscar for Best Original Song at the 32nd Academy Awards.
The Humming-Bird Tree (1969) Ian McDonald (born 18 April 1933) is a Caribbean -born poet and writer who describes himself as " Antiguan by ancestry, Trinidadian by birth, Guyanese by adoption, and West Indian by conviction."
The following is a sortable table of songs recorded by Frank Sinatra: The column Song lists the song title. The column Year lists the year in which the song was recorded. 1,134 songs are listed in the table. This may not include every song for which a recording by Sinatra exists.
McDonald's saxophone solo was a high point on their track "21st Century Schizoid Man", and he went on to play this on their first album In the Court of the Crimson King. [6] He also played harpsichord, piano, organ, clarinet, zither, flute, and Mellotron , which he used extensively on the album.
The film introduced the Academy Award-winning song "High Hopes" by Sammy Cahn and Jimmy Van Heusen, a Sinatra standard used as a campaign song by John F. Kennedy during the presidential election the following year. [4] Sinatra sings "All My Tomorrows," another Cahn/Van Heusen song, under the opening titles.
Pages in category "Song recordings produced by Ian McDonald (musician)" The following 13 pages are in this category, out of 13 total. This list may not reflect recent changes .
"High Hopes" (Frank Sinatra song), 1959 "High Hopes" (The S.O.S. Band song), 1982 "High Hopes" (Tim Scott McConnell song), 1987 "High Hopes" (Pink Floyd song), 1994 "High Hopes" (Kodaline song), 2013 "High Hopes" (Panic! at the Disco song), 2018 "High Hopes", a song by Sammy Hagar from Unboxed "High Hopes", a song by Neil Halstead from Sleeping ...
Ian MacCormick (known by the pseudonym Ian MacDonald; 3 October 1948 – 20 August 2003) was an English music critic, journalist and author, best known for both Revolution in the Head, his critical history of the Beatles which borrowed techniques from art historians, and The New Shostakovich, a study of Russian composer Dmitri Shostakovich.