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Kulintang (Indonesian: kolintang, [13] Malay: kulintangan [14]) is a modern term for an ancient instrumental form of music composed on a row of small, horizontally laid gongs that function melodically, accompanied by larger, suspended gongs and drums.
Kolintang is usually played in ensemble music. Kolintang in the Minahasan community is used to accompany traditional ceremonies, dance, singing, and music. The wood used to make Kolintang blades is light but strong local wood such as Telur wood , Wenuang wood , Cempaka wood , Waru wood , and the like which have a fiber construction. parallel.
The kulintang a tiniok, a Philippine metallophone of the Maguindanaon people. The kulintang a tiniok is a type of Philippine metallophone with eight tuned knobbed metal plates strung together via string a top a wooden antangan (rack).
The Maguindanao kulintang ensemble, called basalen or palabunibuniyan is the traditional gong chime ensemble of the Maguindanao.Other forms of the kulintang ensembles are played in parts of Southeast Asia especially in the eastern parts of Maritime Southeast Asia — southern Philippines, eastern Indonesia, eastern Malaysia, Brunei and Timor. [1]
The kulintang a kayo. The kulintang a kayo (literally, “wooden kulintang”) is a Philippine xylophone of the Maguindanaon people with eight tuned slabs strung horizontally atop a padded wooden antangan (rack).
Before the 1940s, Irish traditional music (both in Ireland and the diaspora) was typically played in private homes and farmyards and occasionally at dance halls. In Ireland, the UK, and Canada most public houses ("pubs") and taverns were not legally allowed to host music in the early 20th Century.
The Ambassador Theatre, formerly Rotund Room, Rotunda, and Ambassador Cinema, was the longest-running cinema in Dublin, Ireland, and was operational on and off until 1999. It operated as a music venue between 2001 and 2008. As of 2024 it is used as an exhibition hall and event centre.
The babendil. The babendil traditionally could be played by either genders. [5] In wooden kulintang ensembles, the kagul is usually substituted for the babendil part. [2] Among the Tausug, the Samal and the Yakan, their babendil-type instrument generally has gone into disuse (Instead, tempo is kept in check using the highest gong on the kulintangan .