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Kulintang (Indonesian: kolintang, [13] Malay: kulintangan [14]) is a modern term for an ancient instrumental form of music composed on a row of small, horizontally laid gongs that function melodically, accompanied by larger, suspended gongs and drums.
Kolintang is usually played in ensemble music. Kolintang in the Minahasan community is used to accompany traditional ceremonies, dance, singing, and music. The wood used to make Kolintang blades is light but strong local wood such as Telur wood , Wenuang wood , Cempaka wood , Waru wood , and the like which have a fiber construction. parallel.
Petrus Kaseke (born in Ratahan, Minahasa, North Sulawesi, October 2, 1942) was an Indonesian conservationist of Indonesia kolintang musical instruments. [2] [3]He was labeled a "pioneer of kolintang" for Java because of his contributions to keeping the kolintang instruments from being lost. [1]
The kulintang a tiniok, a Philippine metallophone of the Maguindanaon people. The kulintang a tiniok is a type of Philippine metallophone with eight tuned knobbed metal plates strung together via string a top a wooden antangan (rack).
The Maguindanao kulintang ensemble, called basalen or palabunibuniyan is the traditional gong chime ensemble of the Maguindanao.Other forms of the kulintang ensembles are played in parts of Southeast Asia especially in the eastern parts of Maritime Southeast Asia — southern Philippines, eastern Indonesia, eastern Malaysia, Brunei and Timor. [1]
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Country and Irish music emerged from Ireland's showband scene, where local bands would play American pop standards tailored to Irish sensibilities. [2] The showband scene was especially strong in Northern Ireland and border counties on account of restrictions on live music performances during Lent in the Republic of Ireland in the 1950s and 1960s. [3]
The babendil. The babendil traditionally could be played by either genders. [5] In wooden kulintang ensembles, the kagul is usually substituted for the babendil part. [2] Among the Tausug, the Samal and the Yakan, their babendil-type instrument generally has gone into disuse (Instead, tempo is kept in check using the highest gong on the kulintangan .