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Aphrodite (/ ˌ æ f r ə ˈ d aɪ t iː / ⓘ, AF-rə-DY-tee) [a] is an ancient Greek goddess associated with love, lust, beauty, pleasure, passion, procreation, and as her syncretized Roman counterpart Venus, desire, sex, fertility, prosperity, and victory.
Venus seems to have had no origin myth until her association with Greek Aphrodite. Venus-Aphrodite emerged, already in adult form, from the sea foam (Greek αφρός, aphros) produced by the severed genitals of Caelus-Uranus. [10] Roman theology presents Venus as the yielding, watery female principle, essential to the generation and balance of ...
The Weasel and Aphrodite [a] (Ancient Greek: Γαλῆ καὶ Ἀφροδίτη, romanized: Galê kaì Aphrodítē), also known as Venus and the Cat is one of Aesop's Fables, numbered 50 in the Perry Index. A fable on the cynic theme of the constancy of one's nature, it serves as a cautionary tale against trusting those with evil temper, for ...
The Greek travel writer Pausanias, he notes, contradicts himself by saying at one point that Eros welcomed Aphrodite into the world, and at another that Eros was the son of Aphrodite and the youngest of the gods. [10] In Latin literature, Cupid is usually treated as the son of Venus without reference to a father.
Venus Pandemos (Charles Gleyre, 1854) Roman cameo, 1st century BC - 2nd century, National Museum of Naples. Aphrodite Pandemos (Ancient Greek: Πάνδημος, romanized: Pándēmos; "common to all the people") occurs as an epithet of the Greek goddess Aphrodite. This epithet can be interpreted in different ways.
The Venus Callipyge, also known as the Aphrodite Kallipygos (Greek: Ἀφροδίτη Καλλίπυγος) or the Callipygian Venus, all literally meaning "Venus (or Aphrodite) of the beautiful buttocks", [a] is an Ancient Roman marble statue, thought to be a copy of an older Greek original.
Venus Urania (Christian Griepenkerl, 1878) Statue of the so-called 'Aphrodite on a tortoise', 430–420 BCE, Athens [a]Aphrodite Urania (Ancient Greek: Ἀφροδίτη Οὐρανία, romanized: Aphrodítē Ouranía, Latinized as Venus Urania) was an epithet of the Greek goddess Aphrodite, signifying a "heavenly" or "spiritual" aspect descended from the sky-god Ouranos to distinguish her ...
The Barberini Venus, Jenkins Venus [1] or Weddell Venus is a sculpture and copy of the Aphrodite of Cnidus, along the lines of the Venus de Medici. Its torso is a Hadrianic copy in Parian marble of the same type as the Venus de' Medici, with 18th-century restorations.