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Hellenistic sculpture represents one of the most important expressions of Hellenistic culture, and the final stage in the evolution of Ancient Greek sculpture. The definition of its chronological duration, as well as its characteristics and meaning, have been the subject of much discussion among art historians, and it seems that a consensus is ...
Hellenistic art saw a turn from the idealistic, perfected, calm and composed figures of classical Greek art to a style dominated by realism and the depiction of emotion and character . The motif of deceptively realistic naturalism in art ( aletheia ) is reflected in stories such as that of the pre-Hellenistic painter Zeuxis , who was said to ...
Examples of Hellenistic sculpture produced in the Greek East and rediscovered there in the early modern or modern era. For sculptures produced by Greek East artists for consumption in Rome, see Category:Hellenistic-style Roman sculptures, and for sculptures that are Roman copies of Greek or Hellenistic sculptures see Category:Roman copies of Greek sculptures
The Temple of Olympian Zeus, Athens, (174 BC–132 AD), with the Parthenon (447–432 BC) in the background. This list of ancient Greek temples covers temples built by the Hellenic people from the 6th century BC until the 2nd century AD on mainland Greece and in Hellenic towns in the Aegean Islands, Asia Minor, Sicily and Italy ("Magna Graecia"), wherever there were Greek colonies, and the ...
Natural marble. By the classical period, roughly the 5th and 4th centuries BC, monumental sculpture was composed almost entirely of marble or bronze; with cast bronze becoming the favoured medium for major works by the early 5th century BC; many pieces of sculpture known only in marble copies made for the Roman market were originally made in bronze.
The Winged Victory of Samothrace, or the Niké of Samothrace, [2] is a votive monument originally discovered on the island of Samothrace in the northeastern Aegean Sea.It is a masterpiece of Greek sculpture from the Hellenistic era, dating from the beginning of the 2nd century BC (190 BC).
The painting of Greek sculpture should not merely be seen as an enhancement of their sculpted form, but has the characteristics of a distinct style of art. [ 115 ] For example, the pedimental sculptures from the Temple of Aphaia on Aegina have recently been demonstrated to have been painted with bold and elaborate patterns, depicting, amongst ...
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