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12 tone equal temperament chromatic scale on C, one full octave ascending, notated only with sharps. Play ascending and descending ⓘ. An equal temperament is a musical temperament or tuning system that approximates just intervals by dividing an octave (or other interval) into steps such that the ratio of the frequencies of any adjacent pair of notes is the same.
In musical tuning, a temperament is a tuning system that slightly compromises the pure intervals of just intonation to meet other requirements. Most modern Western musical instruments are tuned in the equal temperament system. Tempering is the process of altering the size of an interval by making it narrower or wider than pure.
12-tone equal temperament chromatic scale on C, one full octave ascending, notated only with sharps. Play ascending and descending ⓘ. 12 equal temperament (12-ET) [a] is the musical system that divides the octave into 12 parts, all of which are equally tempered (equally spaced) on a logarithmic scale, with a ratio equal to the 12th root of 2 (≈ 1.05946).
Played in equal temperament. The standard twelve-tone equal temperament is a special case of meantone temperament (extended eleventh-comma), in which the twelve notes are separated by logarithmically equal distances (100 cents): A harmonized C major scale in equal temperament (.ogg format, 96.9 KB).
Quarter tones have their roots in the music of the Middle East and more specifically in Persian traditional music. [1] However, the first evidenced proposal of the equally-tempered quarter tone scale, or 24 equal temperament, was made by 19th-century music theorists Heinrich Richter in 1823 [2] and Mikhail Mishaqa about 1840. [3]
The chromatic scale is a musical scale with twelve pitches, each a semitone, also known as a half-step, above or below its adjacent pitches. As a result, in 12-tone equal temperament (the most common tuning in Western music), the chromatic scale covers all 12 of the available pitches. Thus, there is only one chromatic scale.
A meantone temperament is a regular temperament, distinguished by the fact that the correction factor to the Pythagorean perfect fifths, given usually as a specific fraction of the syntonic comma, is chosen to make the whole tone intervals equal, as closely as possible, to the geometric mean of the major tone and the minor tone. Historically ...
Although the 72 equal temperament is based on irrational intervals (see above), as is the 12 tone equal temperament (12 EDO) mostly commonly used in Western music (and which is contained as a subset within 72 equal temperament), 72 equal temperament, as a much finer division of the octave, is an excellent tuning for both representing the ...