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Though modulation generally refers to changes of key, any parameter may be modulated, particularly in music of the 20th and 21st century. Metric modulation (known also as tempo modulation) is the most common, while timbral modulation (gradual changes in tone color), and spatial modulation (changing the location from which sound occurs) are also ...
In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
The child listens via headphones to a program of specially filtered and modulated music with wide frequency range. The program is modified for each child with certain frequencies of sound filtered using an electronic device, which randomly switches between low- and high-pass filtering for random durations between 1/4 and 2 seconds.
The voice, like all acoustic instruments such as the guitar, trumpet, piano, or violin, has its own special chambers for resonating the tone. Once the tone is produced by the vibrating vocal cords, it vibrates in and through the open resonating ducts and chambers.
The highest voice is the first voice or voice 1. The second-highest voice is voice 2, etc. This nomenclature doesn't provide a term for more than one voice on the same pitch. A dropped voicing lowers one or more voices by an octave relative to the default state. Dropping the first voice is undefined—a drop-1 voicing would still have all ...
The music of Disc Jockey can be as well considered a modern example of modular music, where different and independent modules are mixed rather than overlapped, played simultaneously and the third modules represented by the Dj him/herself who interacts with the two ongoing modules (tracks).
Speech and music, as well as various modulated noise stimuli have such temporal structure. [38] For these stimuli, cortical responses phase-lock to both the envelope and fine-structure induced by interactions between unresolved harmonics of the sound, thus reflecting the pitch of the sound, and exceeding the typical lower limits of cortical ...
Metric modulation was first described by Richard Franko Goldman [2] while reviewing the Cello Sonata of Elliott Carter, who prefers to call it tempo modulation. [3] Another synonymous term is proportional tempi .