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One of the best known pieces is this table, with three drawers, whose top has a typical imperial Ming design with a central dragon and phoenix, symbolizing the emperor and empress respectively; the pair also appear on the drawer-fronts. The table-top measures 119.5 cm by 84.5 cm and the table is 79.2 cm (31.2 in) high.
Until about the 10th century CE, the Chinese sat on mats or low platforms using low tables, but then gradually moved to using high tables with chairs. [ 2 ] Chinese furniture is mostly in plain, polished wood, but from at least the Song dynasty , the most luxurious pieces often used lacquer to cover the whole or parts of the visible areas.
Carved lacquer or Qidiao (Chinese: 漆雕) is a distinctive Chinese form of decorated lacquerware. While lacquer has been used in China for at least 3,000 years, [ 1 ] the technique of carving into very thick coatings of it appears to have been developed in the 12th century CE.
The term "Japanning" in the 17th century is a term for the technique used by Europe to emulate Asian lacquer, derived from the then famous Japanese lacquer. The general characteristic of Japanese lacquerware is the widespread use of various Maki-e techniques compared to other countries.
A Chinese six-pointed tray, red lacquer over wood, from the Song dynasty (960–1279), 12th–13th century, Metropolitan Museum of Art. Urushiol-based lacquers differ from most others, being slow-drying, and set by oxidation and polymerization, rather than by evaporation alone. The active ingredient of the resin is urushiol, a mixture of ...
Coromandel lacquer, probably originally from a screen, worked up into a cabinet for medals in France in the 1720s. Coromandel lacquer is a type of Chinese lacquerware, latterly mainly made for export, so called only in the West because it was shipped to European markets via the Coromandel coast of south-east India, where the Dutch East Indies Company (VOC) and its rivals from a number of ...
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