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Salah Asuhan is generally considered one of the most important works in modern Indonesian Literature and is commonly used as reading material in Indonesian literature classes. [ 2 ] Bakri Siregar wrote positively of Salah Asuhan , considering the diction unparalleled in its contemporaries and the characters well fleshed-out.
In his first novel, Salah Asuhan (Wrong Upbringing), published in 1928, Muis depicted the problem of racial and social discrimination in the tragic story of Hanafi and Corrie. [6] The Western-oriented Hanafi and the feisty, liberal Corrie represent the conflict pre-independent Indonesia faced in choosing either to adhere to traditional values ...
Tjinta di Batas Peron (Love at the Lorry's Edge; 1971) Mawar Rimba (Jungle Rose; 1972) Pengantin Tiga Kali (Married Three Times; 1972) Salah Asuhan (Wrong Upbringing; 1972) Aku Tak Berdosa (I Did Nothing Wrong; 1972) Titienku Sayang (My Dear Titien; 1972) Tjintaku Djauh Dipulau (My Titien, Far Away; 1972) Wajah Seorang Pembunuh (Face of a ...
Salah Asuhan (literally Wrong Upbringing, released internationally as The Misfit) is a 1972 film directed by Asrul Sani, produced by Andy Azhar, and starring Dicky Zulkarnaen, Ruth Pelupessy, and Rima Melati.
Samiun dan Dasima (1970) Si Buta dari Gua Hantu (1970) Api Dibukit Menoreh (Gugurnya Tohpati) (1971) La Tando di Toradja (1971) Lampu Merah (1971) Impas (0 x 0) (1971) Pendekar Bambu Kuning (1971) Pendekar Sumur Tudjuh (1971) Perawan Buta (1971) Mutiara dalam Lumpur (1972) Salah Asuhan (1972) Gara-gara (1973) Ratapan Anak Tiri (1973) Anak yang ...
He had become a chairman of Dewan Perfilman Nasional (the National Film Board). After that, the situation of Indonesian cinema deteriorated. He then focused on writing screenplays for soap operas, adapted from Indonesian novels, such as Sitti Nurbaya, Salah Asuhan, and Sengsara Membawa Nikmat. [5] Sani died on 11 January 2004. [2]
During his time in Medan, he worked as an editor and became editor-in-chief of a magazine Pedoman Masyarakat, which he founded with Islamic cleric M. Yunan Nasution. Through Pedoman Masyarakat, he used the penname "Hamka" for the first time. While in Medan, he wrote Di Bawah Lindungan Ka'bah, which was
Nurbaya confiding to her mother after Samsu's move to Batavia; she feared he no longer loved her. In Padang in the early 20th century Dutch East Indies, Samsulbahri and Sitti Nurbaya–children of rich noblemen Sultan Mahmud Syah and Baginda Sulaiman–are teenage neighbours, classmates, and childhood friends.