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# set terminal svg enhanced size 875 1250 fname "Times" fsize 25 set terminal postscript enhanced portrait dashed lw 1 "Helvetica" 14 set output "bode.ps" # ugly part of something G(w,n) = 0 * w * n + 100000 # 1 / (sqrt(1 + w**(2*n))) dB(x) = 0 + x + 100000 # 20 * log10(abs(x)) P(w) = w * 0 + 200 # -atan(w)*180/pi # Gridlines set grid # Set x axis to logarithmic scale set logscale x 10 set ...
He was born Vaughn Bode on July 22, 1941. [5] In 1963, at age 21, and while living in Utica, New York, [6] Bodē self-published Das Kämpf, considered one of the first underground comic books. [7] Created after Bodē's stint in the U.S. Army, Das Kampf has been called "a war-themed spoof on Charles Schulz's 1962 book Happiness Is a Warm Puppy."
This Halloween 2024, use these printable pumpkin stencils and free, easy carving patterns for the scariest, silliest, most unique, and cutest jack-o’-lanterns.
Print Mint and Last Gasp and Rip Off Press. All the Cheech Wizard stories were later collected and reprinted in two volumes by Fantagraphics Books . Cheech Wizard was revived by Bodē's son Mark Bodé in The Lizard of Oz (Fantagraphics, 2004), a send-up of The Wizard of Oz based on an original concept by Vaughn Bodē.
These 50 printable pumpkin carving templates are ready to inspire you. On each image, click "save image as" and save the JPEGs to your computer desktop. From there, you can print them!
The most prevalent character clown in the American circus is the tramp or hobo clown with a thick five-o'clock shadow and wearing shabby, crumpled garments. When working in a traditional trio situation, the character clown will play "contre-auguste" (a second, less wild auguste), siding with either the white or red clown.
Vaughn Bodē reputedly first drew the character Cobalt 60 on a piece of scratch paper in 1959. [citation needed] Nearly ten years later, in 1968, he wrote and drew a ten-page, black-and-white, pen-and-ink Cobalt 60 story for Ken Rudolph's sci-fi fanzine Shangri L'Affaires (a.k.a. Shaggy) #73.
Tammis Keefe, a cloth designer whose patterns appeared at Lord and Taylor in September 1952, used a harlequin print diamond pattern on a large cloth she crafted for a table setting show. [5] In a July 1954 article in the Washington Post, columnist Olga Curtis mentioned harlequin print fabrics and cellophane as very novel ideas in accessories. [6]