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"Your Love Oh Lord " 2000 – – — 1 18 Time "King of Glory" – – — 13 Offerings: A Worship Album "Come Together" 2001 – – 1 1 — Come Together "Show Me Your Glory" 2002 – – — 17 1 "Nothing Compares" – – — — 5 "You Are So Good to Me" 2003 1 — 1 1 Offerings II: All I Have to Give "Sing a Song" 2004 1 — 4 1 "God Of ...
Revelation 3 is the third chapter of the Book of Revelation or the Apocalypse of John in the New Testament of the Christian Bible. The book is traditionally attributed to John the Apostle , [ 1 ] but the precise identity of the author remains a point of academic debate. [ 2 ]
For God has put it into their hearts to accomplish his purpose by agreeing to give the beast their power to rule, until God's words are fulfilled" (Revelation 17:16–17). Revelation 17–18 introduces a Woman dressed in purple and scarlet, and decked with gold, precious stones and pearls. She sits on a scarlet beast with 7 heads (representing ...
Some of the language used in Revelation 1 is also used in Revelation 19 to describe the Rider on the White Horse. In both places, he has a sword coming out of his mouth (1:16 and 19:15) and has "eyes like blazing fire" (1:14 and 19:12). The sword proceeding from Jesus’ mouth describes the counterintuitive way God's messiah conquers: by the ...
The "Sunday law" is interpreted as the meaning of the "mark of the beast" described in Revelation 13:16–17. [36] [37] In contrast to those who choose to obey the "Sunday law," and therefore receive the "mark of the beast," people who observe the seventh-day Sabbath will receive the "Seal of God" (mentioned in Revelation 7:2ff.). [38]
[2] [3] Nicolas Poussin's Landscape with Saint John on Patmos (1640) Christian tradition has considered the Book of Revelation's writer to be the same person as John the Apostle. A minority of ancient clerics and scholars, such as Eusebius (d. 339/340), recognize at least one further John as a companion of Jesus, John the Presbyter. Some ...
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The Light of the World (Keble College version). The Light of the World (1851–1854) is an allegorical painting by the English Pre-Raphaelite artist William Holman Hunt (1827–1910) representing the figure of Jesus preparing to knock on an overgrown and long-unopened door, illustrating Revelation 3:20: "Behold, I stand at the door and knock; if any man hear My voice, and open the door, I will ...