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Legendary creatures from Europe, supernatural animal or paranormal entities, generally hybrids, sometimes part human (such as sirens), whose existence has not or cannot be proven. They are described in folklore (including myths and legends), but also may be featured in historical accounts before modernity
Many scientists have criticized the plausibility of cryptids due to lack of physical evidence, [7] likely misidentifications [8] and misinterpretation of stories from folklore. [9] While biologists regularly identify new species following established scientific methodology, cryptozoologists focus on entities mentioned in the folklore record and ...
The Saint Cecilia Altarpiece is an oil painting by the Italian High Renaissance master Raphael.Completed in his later years, in around 1516–1517, the painting depicts Saint Cecilia, the patron saint of musicians and Church music, listening to a choir of angels in the company of Saints Paul, John the Evangelist, Augustine and Mary Magdalene.
Pages in category "Medieval European legendary creatures" The following 65 pages are in this category, out of 65 total. This list may not reflect recent changes. A.
Wild men support coats of arms in the side panels of a portrait by Albrecht Dürer, 1499 (Alte Pinakothek, Munich).. The wild man, wild man of the woods, woodwose or wodewose is a mythical figure and motif that appears in the art and literature of medieval Europe, comparable to the satyr or faun type in classical mythology and to Silvanus, the Roman god of the woodlands.
The twelve interior panels. This open view measures 5.2 m × 3.75 m (17.1 ft × 12.3 ft). [1] Closed view, back panels. The Ghent Altarpiece, also called the Adoration of the Mystic Lamb (Dutch: De aanbidding van het Lam Gods), [A] is a very large and complex 15th-century polyptych altarpiece in St Bavo's Cathedral, Ghent, Belgium.
The most famous Bigfoot encounter in Kentucky’s history, Coffey says, was in 1782 and involved the one and only Daniel Boone. A Bigfoot suit on display at the Bell County Historical Society ...
Interestingly, in addition to the four figures in the final painting, the original composition contained two others that almost formed a pyramid and filled the upper part in a scenic third plane. These two men, who were present in the planning phase, were excluded from the final composition of the painting and obscured by the brown background.
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