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Ipomoea cairica is a vining, herbaceous, perennial plant with palmate leaves and large, showy white to lavender flowers. A species of morning glory, it has many common names, including mile-a-minute vine, Messina creeper, Cairo morning glory, coast morning glory and railroad creeper.
Ipomoea lacunosa, the whitestar, [1] white morning-glory [2] or pitted morning-glory, [3] [4] is a species that belongs to the genus Ipomoea. In this genus most members are commonly referred to as "morning glories". The name for the genus, Ipomoea, has roots in the Greek words ips and homoios, which translates to worm-like. This is a reference ...
Ipomoea nil is a species of Ipomoea morning glory known by several common names, including picotee morning glory, ivy morning glory, ivy-leaf morning glory, and Japanese morning glory (although it is not native to Japan). [1] It is native to the tropical Americas, and has been introduced widely across the world. [1]
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Like all morning glories, the plant entwines itself around structures, growing to a height of 2–3 m (6 ft 7 in – 9 ft 10 in) tall. The leaves are heart-shaped and the stems are covered with brown hairs. The flowers are trumpet-shaped, predominantly blue to purple or white, and 3–6 cm (1.2–2.4 in) in diameter. [5]
It is based on the reddish glow of the morning or evening sky, caused by trapped particles scattering the blue light from the sun in a stable air mass. [5] If the morning skies are of an orange-red glow, it signifies a high-pressure air mass with stable air trapping particles, like dust, which scatters the sun's blue light.
A year later they recorded their second album, Morning Crimson (1999) in Sweden, at Sunlight Studios with Thomas Skogsberg (Katatonia, Dismember). The band's third album Eternal Winter's Prophecy was recorded in their home country in 2000 at Tico-Tico Studios with Ahti Kortelainen (Kalmah, Eternal Tears of Sorrow, Dawn of Relic).
"Now Sleeps the Crimson Petal" is a poem written by Alfred Tennyson. It is like a sonnet in having fourteen iambic lines, but it is not rhymed (except that the word "me" is repeated at the ends of key lines), and it does not follow either the Shakespearean or Petrarchan organization. It was first published in 1847, in The Princess: A Medley.