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Stained Glass- an Illustrated History, Bracken Books, ISBN 1-85891-157-5; Painton Cowen (1985). A Guide to Stained Glass in Britain, Michael Joseph, ISBN 0-7181-2567-3; Husband, TB (2000). The Luminous Image: Painted Glass Roundels in the Lowlands, 1480-1560, Metropolitan Museum of Art; Lawrence Lee, George Seddon, and Francis Stephens (1976).
One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]
By the end of the nineteenth century, Arts and Crafts ideals had influenced architecture, painting, sculpture, graphics, illustration, book making and photography, domestic design and the decorative arts, including furniture and woodwork, stained glass, [62] leatherwork, lacemaking, embroidery, rug making and weaving, jewelry and metalwork ...
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One example is the stained glass window of the doorway of the Hôtel van Eetvelde in Brussels (1895). In France, Art Nouveau stained glass was used by Alphonse Mucha to decorate the interior of the jewelry shop of Georges Fouquet. The windows were made by Léon Fargues. The decor is now found in the Carnavalet Museum.
Detail of Madonna and Child at Church of the Assumption, Bride Street, in Wexford, Ireland. Harry Clarke (1889–1931) was an Irish stained-glass artist and book illustrator.He produced more than 130 stained glass windows, he and his brother Walter having taken over his father's studio after his death in 1921. [1]
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