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  2. Áo dài - Wikipedia

    en.wikipedia.org/wiki/Áo_dài

    Áo dài looks similar to the cheongsam as they both consist of a long robe with side splits on both sides of the robe with one of the main difference typically being the height of the side split. [58] Áo dài is also similar to the shalwar kameez and the kurta of countries following Indo-Islamic culture such as India, Pakistan, etc. [59]

  3. Yếm - Wikipedia

    en.wikipedia.org/wiki/Yếm

    A yếm or áo yếm (Vietnamese:, chữ Nôm: 裺 or 襖裺) is a traditional Vietnamese undergarment that was once worn by Vietnamese women across all classes. It was most usually worn underneath a blouse or mantle to preserve modesty.

  4. Áo bà ba - Wikipedia

    en.wikipedia.org/wiki/Áo_bà_ba

    It is the garment of the countryside, of the working people, of the lower class and the common people. As with denim jeans in the West, the áo bà ba's no-frills design worn by the simple folk outlasted many other trends and is considered a classic. The áo bà ba is regarded as the two-piece ensemble upon which the popularised áo dài is ...

  5. The White Silk Dress - Wikipedia

    en.wikipedia.org/wiki/The_White_Silk_Dress

    The White Silk Dress (Vietnamese: Áo lụa Hà Đông) is a 2006 Vietnamese war film directed by Luu Huynh starring Truong Ngoc Anh and Nguyen Quoc Khanh. With a budget of over 2 million dollars, it is one of the most expensive Vietnamese films ever made.

  6. Áo tứ thân - Wikipedia

    en.wikipedia.org/wiki/Áo_tứ_thân

    Mrs. Đặng Thị Nhu (Đề Thám's third wife) and her daughter in Áo tứ thân costume 2 girls working in the fields in Áo tứ thân costumesThe áo tứ thân was the dress of peasant women, which explains why it was often made with plain fabric in dark colors, except when it was to be worn at special occasions such as festivals or weddings.

  7. Khăn vấn - Wikipedia

    en.wikipedia.org/wiki/Khăn_vấn

    Khăn vấn is a rectangular textile that is long and quite thick, wrapped tightly around the head. According to the decrees of Nguyễn dynasty written in the Historical chronicle of Đại Nam, the Vietnamese initially remained faithful to the Champa style, but gradually adapted styles to suit needs for each social class.