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Áo dài looks similar to the cheongsam as they both consist of a long robe with side splits on both sides of the robe with one of the main difference typically being the height of the side split. [58] Áo dài is also similar to the shalwar kameez and the kurta of countries following Indo-Islamic culture such as India, Pakistan, etc. [59]
The áo giao lĩnh was influenced from Han Chinese clothing. [1] It is a robe with a wrap collar closing on the right side. The wrap collar closing on the right side is known as jiaoling youren (Chinese: 交領右衽; lit. 'intersecting collar right lapel') in China; garments with this form of wrap collar originated in China and started to be worn at least since the Shang dynasty (c. 1600 BC ...
It is the garment of the countryside, of the working people, of the lower class and the common people. As with denim jeans in the West, the áo bà ba's no-frills design worn by the simple folk outlasted many other trends and is considered a classic. The áo bà ba is regarded as the two-piece ensemble upon which the popularised áo dài is ...
The áo dài was created when tucks, which were close fitting and compact, were added in the 1920s to this style. [13] Trousers and tunics based on the Chinese pattern in 1774 were ordered by Nguyễn Phúc Khoát to replace the sarong -like traditional clothing.
The White Silk Dress (Vietnamese: Áo lụa Hà Đông) is a 2006 Vietnamese war film directed by Luu Huynh starring Truong Ngoc Anh and Nguyen Quoc Khanh. With a budget of over 2 million dollars, it is one of the most expensive Vietnamese films ever made.
Mrs. Đặng Thị Nhu (Đề Thám's third wife) and her daughter in Áo tứ thân costume 2 girls working in the fields in Áo tứ thân costumesThe áo tứ thân was the dress of peasant women, which explains why it was often made with plain fabric in dark colors, except when it was to be worn at special occasions such as festivals or weddings.