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Ong Phra (Thai: องค์พระ; translation: Buddha's body) - one of the most commonly used elements in Yantra tattooing, but can also be a more complex standalone design. Meant to provide insight, guidance, illumination, etc. Haw-taew (Thai: ห้าแถว; translation: five rows) - Typically tattooed on the back left shoulder. Each ...
A tattoo is a form of body modification made by inserting tattoo ink, dyes, and/or pigments, either indelible or temporary, into the dermis layer of the skin to form a design. Tattoo artists create these designs using several tattooing processes and techniques , including hand-tapped traditional tattoos and modern tattoo machines .
A Samoan woman with malu. Malu is a word in the Samoan language for a female-specific tattoo of cultural significance. [1] The malu covers the legs from just below the knee to the upper thighs just below the buttocks, and is typically finer and delicate in design compared to the Pe'a, the equivalent tattoo for males.
You hold the blade wheel. Svaha. You liberate through the sound of the conch. Svaha. You hold a great staff. Svaha. You are the dark conqueror abiding near the left shoulder. Svaha. You wear a tiger skin. Svaha. Homage to the Three Treasures. Homage to noble Avalokiteshvara. Svaha. Realize all the phrases of this mantra. Svaha.
Lower-back tattoos are also perceived as an indication of promiscuity by some, possibly owing to media portrayals of women with tattoos. [7] A 2011 study of media stereotypes criticized media portrayals of lower-back tattoos, arguing that they are unfairly cast as a symbol of promiscuity. [ 1 ]
Tattoos hold rich historical and cultural significance as permanent markings on the body, conveying personal, social, and spiritual meanings. However, religious interpretations of tattooing vary widely, from acceptance and endorsement to strict prohibitions associating it with the desecration of the sacred body.
The earliest Buddhist art is from the Mauryan era (322 BCE – 184 BCE), there is little archeological evidence for pre-Mauryan period symbolism. [6] Early Buddhist art (circa 2nd century BCE to 2nd century CE) is commonly (but not exclusively) aniconic (i.e. lacking an anthropomorphic image), and instead used various symbols to depict the Buddha.
In the Pali Canon a paragraph appears many times recording the Buddha describing how he began his quest for enlightenment, saying: [8] So, at a later time, while still young, a black-haired young man endowed with the blessings of youth in the first stage of life—and while my parents, unwilling, were crying with tears streaming down their faces—I shaved off my hair & beard, put on the ochre ...
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