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OCR-A is a font issued in 1966 [2] and first implemented in 1968. [3] A special font was needed in the early days of computer optical character recognition, when there was a need for a font that could be recognized not only by the computers of that day, but also by humans. [4] OCR-A uses simple, thick strokes to form recognizable characters. [5]
Samples of Monospaced typefaces Typeface name Example 1 Example 2 Example 3 Anonymous Pro [1]Bitstream Vera Sans Mono [2]Cascadia Code: Century Schoolbook Monospace
The Free UCS Outline Fonts [1] (also known as freefont) is a font collection project. The project was started by Primož Peterlin and is currently administered by Steve White. The aim of this project has been to produce a package of fonts by collecting existing free fonts and special donations, to support as many Unicode characters as possible.
It is one of free (GPL) fonts developed in GNU FreeFont project, first published in 2002. Other such typefaces take creative liberties from Helvetica and its basic letter shapes. Liberation Sans is a metrically equivalent font to Arial developed by Steve Matteson at Ascender and published by Red Hat under the SIL Open Font License .
GNU FreeFont (also known as Free UCS Outline Fonts) is a family of free OpenType, TrueType and WOFF vector fonts, implementing as much of the Universal Character Set (UCS) as possible, aside from the very large CJK Asian character set. The project was initiated in 2002 by Primož Peterlin and is now maintained by Steve White.
Typeface Family Spacing Weights/Styles Target script Included from Can be installed on Example image Aharoni [6]: Sans Serif: Proportional: Bold: Hebrew: XP, Vista
List of free Japanese fonts; List of free Korean fonts; Free Chinese Font; Free Japanese Font; Free Korean Fonts; Arphic Public License: a free font, licensed by Arphic Technology (in Chinese) 免费中文字体 (in Chinese) 適用於 GNU/Linux 的字型; Japanese Fonts on OSDN; CJKV Fonts on ArchWiki; Maoken.com, Free Chinese Fonts list
A digital version named Benton Modern Text was first prepared by Font Bureau for the Boston Globe and the Detroit Free Press. It was designed by Tobias Frere-Jones and is based on Century Expanded, but the accompanying italic and bold are based upon Century Schoolbook and were designed by Richard Lipton and Christian Schwartz.
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