Search results
Results from the WOW.Com Content Network
Perséphone is a musical work for speaker, solo singers, chorus, dancers and orchestra with music by Igor Stravinsky and a libretto by André Gide.. It was first performed under the direction of the composer at the Opéra in Paris, on 30 April 1934 in a double bill with the ballet Diane de Poitiers by Jacques Ibert.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual 15 equal temperament: 15-tet scale on C. Play ⓘ — — — 15 — — — 16 equal temperament: 16-tet scale on C. Play ⓘ — — — 16 — — 17 equal temperament ...
The Persephone ribbon controller is also able to record pressure or velocity. The ribbon is a linear potentiometer that generates different control voltages depending on where it is touched. Thus, the modern ribbon on the Persephone replaces the nickel-chrome resistance wire used as a variable resistor to control the pitch of the trautonium 1.
All three movements include wild and rapid jumps which span over two octaves, complex polyrhythms, extremely fast scales, and tremolos. The third and largest movement is known for long, relentless trills in thirds, some even in the four fingers of the left hand while the thumb carries a separate melody.
The steel-string acoustic guitar typically has a scale slightly shorter than the classical instrument, the most common scales ranging between short scale (24 inches (610 mm)) and long scale (25.5 inches (650 mm)). Small travel guitars and guitars specifically designed for children can have even shorter scales.
The diatonic scale notes (above) and the non-scale chromatic notes (below) [13] Medieval theorists defined scales in terms of the Greek tetrachords. The gamut was the series of pitches from which all the Medieval "scales" (or modes, strictly) notionally derive, and it may be thought of as constructed in a certain way from diatonic tetrachords.
Chromatic scale drawn as a circle The diatonic scale notes (above) and the non-scale chromatic notes (below) [2] The twelve notes of the octave—all the black and white keys in one octave on the piano—form the chromatic scale. The tones of the chromatic scale (unlike those of the major or minor scale) are all the same distance apart, one ...