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The Wild One is a 1953 American crime film directed by László Benedek and produced by Stanley Kramer. The picture is most noted for the character of Johnny Strabler, portrayed by Marlon Brando , whose persona became a cultural icon of the 1950s.
László Benedek (Hungarian pronunciation: [ˈlaːsloː ˈbɛnɛdɛk]; March 5, 1905 – March 11, 1992; sometimes Laslo Benedek) was a Hungarian-born film director and cinematographer, most notable for directing The Wild One (1953).
"Wild One" (Martha and the Vandellas song), 1964 "Wild One" (Johnny O'Keefe song), 1958, also known as "Real Wild Child" "Wild One" (Green Day song), a song by Green Day from the 2012 album ¡Dos! "Wild One", a song by Dio from the album Lock Up the Wolves "Wild One", a 2009 song by Rooney released on the EP Wild One
The Wild One [1] is a feature documentary on the Holocaust survivor and director Jack Garfein, directed by Tessa Louise-Salomé, [2] and written by Louise-Salomé and Sarah Contou-Terquem. In 2022, the movie has won the best cinematography award in a documentary feature at the Tribeca Film Festival .
Code Two is a 1953 American film noir crime film about men training to be motorcycle cops. It stars Ralph Meeker, Sally Forrest, Elaine Stewart, Robert Horton, and Keenan Wynn, and was directed by Fred M. Wilcox.
He portrayed characters such as the father in Fourteen Hours (1951) and a psychopathic gangster in The Lineup (1958).. He also played the police chief and father of biker Marlon Brando's love interest in the 1953 film The Wild One, and as another cop, this time Brando's antagonist, in the film musical, Guys and Dolls.
Paxton was hired by Stanley Kramer, who released through Columbia, to adapt the story for The Wild One (1953). He went to MGM to write The Cobweb (1955) then re-wrote R.C. Sheriff's script for A Prize of Gold (1955) for Warwick Films who released through Columbia. [7] Warwick liked Paxton's work and hired him to write Interpol (1957).
In the film's plot, the concerto was the work of a fictional composer played by Dana Andrews. Arthur Rubinstein played the concerto on the piano, accompanied by the New York Philharmonic, conducted by Eugene Ormandy. The music is tonal, with a horizontal (as distinct from vertical) compositional approach, with sophisticated harmonies and ...