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Echo and Narcissus is a 1903 oil painting by John William Waterhouse.It illustrates the myth of Echo and Narcissus from Ovid's Metamorphoses.. John William Waterhouse (1847–1917) was an English painter who, because of his style and themes, is generally classified as a Pre-Raphaelite.
Echo and Narcissus is a myth from Ovid's Metamorphoses, a Roman mythological epic from the Augustan Age. The introduction of the mountain nymph , Echo , into the story of Narcissus , the beautiful youth who rejected Echo and fell in love with his own reflection, appears to have been Ovid's invention.
Echo and Narcissus is an oil painting by French artist Nicolas Poussin, from 1627-1628. It measures 74 by 100 cm (29 by 39 in) and is held in the Louvre , in Paris . [ 1 ]
Echo and Narcissus (1627), by Nicolas Poussin. Oil on canvas, 74 × 100 cm (29 × 39 in). Louvre, Paris. Items portrayed in this file depicts. Echo and Narcissus.
In the centre of the group are Narcissus and Echo; the former is bending over a vase of water, sighing with love of his own image; the latter sits by, gazing on him with enamoured eyes. Beyond these is Clytie viewing with rapture the God of Day pass in his refulgent chariot through the heavens.
Echo and Narcissus (Waterhouse painting) a presently stubby article on the painting; John William Waterhouse the artist; Echo and Narcissus, the article about the poem; Walker Art Gallery, where it is held; and Narcissus (plant). FP category for this image Wikipedia:Featured pictures/Artwork/Paintings Creator John William Waterhouse
Echo and Narcissus, a depiction of Echo and Narcissus featuring Cupid and his arrows. (Nicolas Poussin, 1630, Louvre Museum, Paris) The Lay of Narcissus, one of many titles by which the work is known, is Norman-French verse narrative written towards the end of the 12th century. In the four manuscripts that remain, an unknown author borrows from ...
Placido Costanzi, Narcissus and Echo. Placido Costanzi (1702–1759) was an Italian painter of the late-Baroque period. Placido Costanzi was born in 1702 to a family of gem-makers in Rome. He was exposed to art at a very young age, and became a pupil of Benedetto Luti and painted mainly historical and devotional subjects.