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Julia Margaret Cameron (née Pattle; 11 June 1815 – 26 January 1879) was an English photographer who is considered one of the most important portraitists of the 19th century. She is known for her soft-focus close-ups of famous Victorians and for illustrative images depicting characters from mythology, Christianity, and literature.
Rococo painting also illustrates, in its first version, the social schism that would lead to the French Revolution, and represents the last symbolic bastion of resistance of an elite distant from the problems and interests of the common people, and that was increasingly threatened by the rise of the middle class, which was educated and began to ...
In Young Girl Reading, color helps convey emotion and mood. Fragonard used a typical Rococo color scheme, which consisted of soft, delicate colors and hues of gold. The pillow's violet tint, the darker-toned walls and armrest, and the female subject's rosy-toned skin and bright-yellow dress help create the illusion of warmth and joy, and a sense of sensuality.
Rosalba Carriera (12 January 1673 [1] [2] – 15 April 1757) was an Italian Rococo painter. In her younger years, she specialized in portrait miniatures.Carriera would later become known for her pastel portraits, helping popularize the medium in eighteenth-century Europe.
The painting depicts an elegantly dressed young woman on a swing. A smiling young man, hiding in the bushes below and to the left, points towards her billowing dress with hat in hand. A smiling older man, who is nearly hidden in the shadows on the right, propels the swing with a pair of ropes, as a small white dog barks nearby.
Venus Consoling Love is an oil-on-canvas painting executed in 1751 by the French artist François Boucher. [1] [2] The painting depicts a mythological scene, where Venus, the goddess of Love, depicted as a charming and supple young woman, is impersonating the French Rococo's beauty ideals.
The Woman With A Dog belongs to Fragonard's Figures de Fantaisie (Fantasy Figures) series, with artworks often painted within an hour. While some elements such as the hairstyle, pearls, or the blue and pink colors correspond to the Rococo style, the dress itself is in a 16th/17th-century style, and has been compared to Rubens' portraits of Marie de Médici or Anne of Austria.
The photograph is an extreme close-up of a woman's upturned face with glass droplets placed on her cheeks to imitate tears. [s 1] [s 4] Sleeping Woman: 1930 Man Ray Paris, France [s 2] See article Behind the Gare Saint-Lazare: 1932 Henri Cartier-Bresson: Paris, France 35 mm [s 1] [s 2] [s 3]
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