Search results
Results from the WOW.Com Content Network
Jerry Adler (born February 4, 1929) [1] is an American theatre director, producer, and film and television actor.He is perhaps best known for his films Manhattan Murder Mystery, The Public Eye, In Her Shoes, and Prime, and for his television work as Herman "Hesh" Rabkin on The Sopranos, Howard Lyman on The Good Wife and The Good Fight, building maintenance man Mr. Wicker on Mad About You, Bob ...
"Chasing It" is the 81st episode of the HBO television series The Sopranos, the fourth episode of the second half of the show's sixth season, and the 16th episode of the season overall. Written by executive producer Matthew Weiner and directed by Tim Van Patten, it originally aired on April 29, 2007, and was watched by 6.76 million viewers u
Hesh's predictions of their obstinacy proved correct. Hesh was able to help Tony end a particularly arduous "negotiation" with a threat of castration. In "A Hit Is a Hit," Hesh helped Tony's nephew Christopher Moltisanti to realize his girlfriend, Adriana La Cerva, had little aptitude for work in the music business. Chris made contact with Hesh ...
Warning: This article contains spoilers for The Sopranos' finale, "Made in America.". On June 10, 2007, The Sopranos went out not with a bang-bang, but with a cut to black. In that now-iconic ...
Fans are still trying to figure out what happened at the end of The Sopranos’ series finale. The crime drama followed mob boss Tony Soprano (James Gandolfini) as he attempted to be a family man ...
Massive says he is acting on behalf of the mother of a deceased black singer whose royalties Hesh stole, and now claims $400,000. Hesh refuses, and threatens a counterclaim: there is an unauthorized sampling by Massive's record label of a song, the copyright of which is owned by Hesh's label. Massive says he will see Hesh in court.
In a retrospective review, Emily St. James of The A.V. Club wrote that the "[ending] montage - intercut with Tony watching Meadow sing - is one of the first moments when The Sopranos takes music and rises above its prosaic, muddy universe to become something like sublime"; St. James commented that although the episode "is a 'Let's get the plot ...
Hesh goes to Tony, who goes to Johnny Sack, the underboss in New York's Lupertazzi crime family. They negotiate with Junior, who reduces his demands, and Hesh agrees to pay. The other DiMeo capos are resentful because Junior is keeping too much money for himself. Tony speaks to Junior, who agrees to pass Hesh's tribute money down to his capos.