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In music, a tuplet (also irrational rhythm or groupings, artificial division or groupings, abnormal divisions, irregular rhythm, gruppetto, extra-metric groupings, or, rarely, contrametric rhythm) is "any rhythm that involves dividing the beat into a different number of equal subdivisions from that usually permitted by the time-signature (e.g., triplets, duplets, etc.)" [1] This is indicated ...
The Bruckner rhythm is a 2 + 3 (duplet + triplet) or 3 + 2 rhythm in Anton Bruckner's symphonic music, where it occurs prevalently, [1] [2] and in many different ways. [ 3 ] One example is in the main theme of the first movement of Symphony No. 4 , from bars 43 forward: [ 4 ]
The Del Rubio Triplets were an American folk/acoustic cover band who rose to fame in the 1980s due mostly to their campy style of dress and their cover versions of songs. They earlier performed from the 1940s through the 1960s as The Boyd Triplets as singers in Xavier Cugat 's band, in night clubs, and in at least one movie.
The habanera was the first of many Cuban music genres which enjoyed periods of popularity in the United States, and reinforced and inspired the use of tresillo-based rhythms in African American music. [b] From the perspective of African American music, the habanera rhythm can be thought of as a combination of tresillo and the backbeat. [19]
Polyrhythm: Triplets over duplets in all four beats [1] 2:3 polyrhythm (cross rhythm) as bounce inside oval Polyrhythm (/ ˈ p ɒ l i r ɪ ð əm /) is the simultaneous use of two or more rhythms that are not readily perceived as deriving from one another, or as simple manifestations of the same meter. [2]
The mission of an advertisement is to attract a reader so that he will look at the advertisement and start to read it; then to interest him, so that he will continue to read it; then to convince him, so that when he has read it, he will believe it. If an advertisement contains these three qualities of success, it is a successful advertisement. [8]
Swung eighths written on the beat are generally read as a pair of triplet eighth-notes tied together, while notes written on off-beats are played as single triplet eighth notes. Therefore, the underlying rhythmic grid to most jazz music is an eighth note triplet pattern.
Musicologist Richard J. Ripani observed the album and title track showcased the variety of contemporary R&B styles, making "use of elements across the R&B spectrum, including use of a sample loop ("Rhythm Nation" samples "Thank You (Falettinme Be Mice Elf Agin)" by Sly and the Family Stone), triplet swing, rapped vocal parts and blues notes (D ...