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The work is based on poetry by John Donne and Emily Dickinson and is regarded as one of the key compositions of Adams' "minimalist" period. [ 1 ] The work was premiered by the San Francisco Symphony and San Francisco Symphony Chorus, with conductor Edo de Waart , on 15 April 1981, and subsequently recorded it. [ 2 ]
In music, a tuplet (also irrational rhythm or groupings, artificial division or groupings, abnormal divisions, irregular rhythm, gruppetto, extra-metric groupings, or, rarely, contrametric rhythm) is "any rhythm that involves dividing the beat into a different number of equal subdivisions from that usually permitted by the time-signature (e.g., triplets, duplets, etc.)" [1] This is indicated ...
The Del Rubio Triplets were an American folk/acoustic cover band who rose to fame in the 1980s due mostly to their campy style of dress and their cover versions of songs. They earlier performed from the 1940s through the 1960s as The Boyd Triplets as singers in Xavier Cugat 's band, in night clubs, and in at least one movie.
The habanera was the first of many Cuban music genres which enjoyed periods of popularity in the United States, and reinforced and inspired the use of tresillo-based rhythms in African American music. [b] From the perspective of African American music, the habanera rhythm can be thought of as a combination of tresillo and the backbeat. [19]
The effectiveness of a pattern of three items has also been noted in the visual arts. Cartoonist Art Spiegelman described the rule of three as being key to the work of Nancy creator Ernie Bushmiller, giving the example that "a drawing of three rocks in a background scene was Ernie's way of showing us there were some rocks in the background. It ...
The Bruckner rhythm is a 2 + 3 (duplet + triplet) or 3 + 2 rhythm in Anton Bruckner's symphonic music, where it occurs prevalently, [1] [2] and in many different ways. [ 3 ] One example is in the main theme of the first movement of Symphony No. 4 , from bars 43 forward: [ 4 ]
The approach of studying "music in culture" assumes that culture is a complex quality inherent to any society and music exists as a component of that quality. Treating "music as culture" conceives culture not as an object with comments but as a fluid construct and that methods of understanding it can be applied to understanding music. [11]
Musical literacy is the reading, writing, and playing of music, as well an understanding of cultural practice and historical and social contexts.. Music literacy and music education are frequently talked about relationally and causatively, however, they are not interchangeable terms, as complete musical literacy also concerns an understanding of the diverse practices involved in teaching music ...