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The front entry is protected by the original cast iron gate. Much of the cast iron in the French Quarter was purchased from catalogs, so it was not as unique as the wrought iron. The front gate of Gallier House, however, was designed by James Gallier Jr. specifically for this house. [4]
The house, located at 14 Legare St., Charleston, South Carolina, is famous for its large brick gates with decorative wrought iron. The gates, which were installed by George Edwards (who owned the house until 1835) and which bear his initials, include finials that were carved to resemble Italian pinecones.
[28] [29] The William H. Jackson Company designed a wrought iron fence around the Fifth Avenue garden, while John Williams Inc. designed entrance gates in the same style. [30] When the house was completed, there was a stone wall with a balustrade along Fifth Avenue, [27] and the garden itself had evergreen trees. [31]
The house and grounds are separated from the street by a wrought iron fence set atop a low brick wall, with an iron entrance gate flanked by tall brick piers capped with limestone ball finials. To the south of the house is the garden that was originally laid out in a geometric arrangement with patterned beds of flowers, ornamental shrubs, and ...
Above the entry is an iron balcony accessed by French doors. The lateral hipped roof has a medium pitch, with tall brick exterior chimneys at each side elevation. One interior chimney pierces the slate roof. [3] On the northern, rear facade, a wing of four bays projects from the eastern half of the house.
Designed and built by Abe Sauer is the wrought-iron front gate shaped like a book of sheet music, along with green colored musical notes and two mirrored silhouettes of Elvis playing his guitar. Sauer also installed a kidney shaped swimming pool and a racquetball court, which is reminiscent of an old country club, furnished in dark leather and ...
The vestibule, inside the front door, has preserved many original decorative elements, including a colorful mosaic floor, a glass and wrought iron grill with a floral design behind the front door; and carved wood panelling and stained glass framing the entrance to the main corridor, which originally also had a floral design tapestry curtain.
The architect slightly tapered the sides of the east gate to create an illusion of even greater height, the wrought iron gates date from the 1840s. The solid and huge entrance portico on the north front resembles more the entrance to a pantheon than a family home.
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